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E♭ — down a major second (used for horn on pitches with multiple sharps until Richard Strauss) D — down a minor third. C — down a perfect fourth. B♭ basso — down a perfect fifth. Some less common transpositions include: A♭ alto — up a minor third (used in Schubert's 4th symphony, 2nd movement) F♯ — up a minor second.
Hand-stopping. Hand-stopping is a technique by which a natural horn or a natural trumpet can be made to produce notes outside of its normal harmonic series. By inserting the hand, cupped, into the bell, the player can reduce the pitch of a note by a semitone or more. This, combined with the use of crooks changing the key of the instrument ...
In music, call and response is a compositional technique, often a succession of two distinct phrases that works like a conversation in music. One musician offers a phrase, and a second player answers with a direct commentary or response. The phrases can be vocal, instrumental, or both. [ 1 ]
A tail (i.e. a closing section appended to a movement) codetta A small coda, but usually applied to a passage appended to a section of a movement, not to a whole movement col or colla with the (col before a masculine noun, colla before a feminine noun); (see next for example) col canto with the singer, see also colla voce col legno
The German horn is the most common type of orchestral horn, [22] and is ordinarily known simply as the "horn". The double horn in F/B♭ is the version most used by professional bands and orchestras. A musician who plays the German horn is called a horn player (or, less frequently, a hornist).
The flute is a member of a family of musical instruments in the woodwind group. Like all woodwinds, flutes are aerophones, producing sound with a vibrating column of air. Flutes produce sound when the player's air flows across an opening. In the Hornbostel–Sachs classification system, flutes are edge-blown aerophones. [1]
The German horn is a brass instrument made of tubing wrapped into a coil with a flared bell, and in bands and orchestras is the most widely used of three types of horn, the other two being the French horn (in the less common, narrower meaning of the term) and the Vienna horn. Its use among professional players has become so universal that it is ...
Crumhorn. The crumhorn is a double reed instrument of the woodwind family, most commonly used during the Renaissance period. In modern times, particularly since the 1960s, there has been a revival of interest in early music, and crumhorns are being played again. It was also spelled krummhorn, krumhorn, krum horn, [1] and cremorne.