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In music theory, the key of a piece is the group of pitches, or scale, that forms the basis of a musical composition in Western classical music, art music, and pop music. Tonality (from "Tonic") or key: Music which uses the notes of a particular scale is said to be "in the key of" that scale or in the tonality of that scale.
[17] Originally published as "Preludes for the Harpsichord or Piano-Forte in All the Keys Flat and Sharp" Étienne Ozi: Nouvelle méthode de basson: bassoon 1787 Also, for two bassoons; or bassoon and cello or double bass [18] Ludwig van Beethoven: 2 Preludes through all 12 Major Keys, Op. 39 piano 1789 [h] [19] Prelude No. 1 includes both C# ...
Major/minor compositions are musical compositions that begin in a major key and end in a minor key (generally the parallel minor), specifying the keynote (as C major/minor). This is a very unusual form in tonal music, [1] [2] although examples became more common in the nineteenth century. [3]
Chopin at 25, by Maria Wodzińska, 1835. Most of Chopin's compositions were for solo piano, although he did compose two piano concertos (his concertos No. 1 and No. 2 are two of the romantic piano concerto repertoire's most often-performed pieces) as well as some other music for ensembles.
This is a list of musical compositions or pieces of music that have unusual time signatures. "Unusual" is here defined to be any time signature other than simple time signatures with top numerals of 2, 3, or 4 and bottom numerals of 2, 4, or 8, and compound time signatures with top numerals of 6, 9, or 12 and bottom numerals 4, 8, or 16.
n 19 sonatas, numbering according to the Neue Schubert-Ausgabe, Series VII/2, volume 1–3. [2] 21 sonatas — numbering of Schubert's piano sonatas as most encountered on recordings etc., for instance on the Schubert page at Classical Archives. Also IMSLP follows this numbering for their page names of Schubert's piano sonatas. Wiener Urtext ...
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