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English Renaissance poetry after the Elizabethan poetry can be seen as belonging to one of three strains; the Metaphysical poets, the Cavalier poets and the school of Spenser. However, the boundaries between these three groups are not always clear and an individual poet could write in more than one manner.
The English Renaissance was a cultural and artistic movement in England during the late 15th, 16th and early 17th centuries. [1] It is associated with the pan-European Renaissance that is usually regarded as beginning in Italy in the late 14th century.
Mlokhim-Bukh (Old Yiddish epic poem based on the Biblical Books of Kings) Book of Dede Korkut (Oghuz Turks) Le Morte d'Arthur (Middle English) Morgante (Italian) by Luigi Pulci (1485), with elements typical of the mock-heroic genre; The Wallace by Blind Harry (Scots chivalric poem) Troy Book by John Lydgate, about the Trojan war (Middle English)
The English Renaissance and the Renaissance in Scotland date from the late 15th century to the early 17th century. [1] In northern Europe, the scholarly writings of Erasmus, the plays of William Shakespeare, the poems of Edmund Spenser, and the writings of Sir Philip Sidney may be considered Renaissance in character.
The sequence was a watershed in English Renaissance poetry. In it, Sidney partially nativised the key features of his Italian model, Petrarch : variation of emotion from poem to poem, with the attendant sense of an ongoing, but partly obscure, narrative; the philosophical trappings; the musings on the act of poetic creation itself.
Sir Thomas Wyatt (1503 – 11 October 1542) [1] was a 16th-century English politician, ambassador, and lyric poet credited with introducing the sonnet to English literature. . He was born at Allington Castle near Maidstone in Kent, though the family was originally from Yorkshi
The canon of Renaissance English poetry of the 16th and early 17th century has always been in some form of flux and towards the end of the 20th century the established canon was criticised, especially by those who wished to expand it to include, for example, more women writers. [24]
G. R. Hibbard: "The Country House Poem of the Seventeenth Century," Journal of the Warburg and Courtauld Institutes 19 (1956), pp. 159–174; William McClung: The Country House in English Renaissance Poetry (1977) Hugh Jenkins: Feigned Commonwealths, the Country-House Poem and the Fashioning of the Ideal Community (1998, ISBN 0-8207-0292-7)