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Shafiq-ur-Rahman (Urdu: شفیق الرحمن) (9 November 1920 – 19 March 2000) was a Pakistani humorist and short-story writer of Urdu language. [1] [2] He was one of the most illustrious writers of the Urdu-speaking world. Like Mark Twain and Stephen Leacock, [3] he has given enduring pleasure to his readers.
Rekhta is an Indian web portal started by Rekhta Foundation, a non-profit organisation dedicated to the preservation and promotion of the Urdu literature. [4] The Rekhta Library Project, its books preservation initiative, has successfully digitized approximately 200,000 books over a span of ten years. [5]
Urdu poetry (Urdu: اُردُو شاعرى, romanized: Urdū Shāʿirī) is a tradition of poetry and has many different forms. Today, it is an important part of the culture of India and Pakistan . Several prominent Urdu poets include Mir Taqi Mir (d. 1810), Mirza Ghalib (d. 1869), Mir Anees (d. 1874), Muhammad Iqbal (d. 1938) and Josh ...
Along with his poetry, he was regarded as one of the best humorists of Urdu. [1] [3] His poetry has a distinctive diction laced with language reminiscent of Amir Khusro in its use of words and construction that is usually heard in the more earthy dialects of the Hindi-Urdu complex of languages, and his forms and poetic style has influenced ...
Anwar Masood (Urdu: انورمسعود, Punjabi: انورمسعود Punjabi: ਅਨਵਰ ਮਸਊਦ; born 8 November 1935) is a Pakistani poet and educationist known for his comic poetry. [1] However, his works include other genres as well.
Ghazal poets frequently use this story as a simile or reference point to portray their love as similarly obsessive and pure. [40] Urdu ghazal is a form of lyrical poetry that originated in the Urdu language during the Mughal Empire. It consists of rhyming couplets, with each line sharing the same meter. [42]
Bait Bazi (Urdu: بیت بازی) is a verbal game and a genre of Urdu poetry played by composing verses of Urdu poems. The game is common among Urdu speakers in Pakistan and India. It is similar to Antakshari, the Sistanian Baas-o-Beyt, the Malayalam Aksharaslokam and, more generally, the British Crambo.
Ahmad Faraz is included in the long list of revolutionary poets of Urdu language and is "acclaimed as one of the most influential modern Urdu poets of the last century." [ 2 ] [ 9 ] [ 5 ] "This felicity with words is evident in much of Faraz's work, as is an economy of expression, along with an ability to wrap layers of meaning into brief lines ...