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San Juan Nepomuceno Santo statuette by Felipe de la Espada, born in San Germán, Puerto Rico ca. 1754. When the Spanish first arrived in Puerto Rico, one of their primary tools in converting the indigenous Taíno population were statuettes, known as Santos, depicting the Virgin Mary, Jesus Christ, and other Catholic icons (the practice of religious sculpture already existed on the island ...
Miguel Pou Becerra [note 1] (24 August 1880 [2] – 6 May 1968) [3] was a Puerto Rican oil canvas painter, draftsman, and art professor. [4] Together with José Campeche and Francisco Oller, he has been called "one of Puerto Rico's greatest masters."
José Campeche y Jordán (December 23, 1751 – November 7, 1809), is the first known Puerto Rican visual artist and considered by art critics as one of the best rococo artists in the Americas. Campeche y Jordán loved to use colors that referenced the landscape of Puerto Rico, as well as the social and political crème de la crème of colonial ...
The painting was owned by the Insular Library of Puerto Rico until 1915 when it was acquired by the University of Puerto Rico. El Velorio was instrumental in the development of the Museum of the University of Puerto Rico, the first of its kind in Puerto Rico and the first purpose-built museum in the island. [7]
The museum contains one of the most important Pre-Raphaelite collections in the Western Hemisphere, [8] holding some 4,500 pieces of art [3] [9] distributed among fourteen galleries. [10] Museo de Arte de Ponce is the finest art museum in Puerto Rico. [11] The largest art museum in the Caribbean, [12] it has also been called one of the best in ...
Oller developed an interest in bringing out the reality of Puerto Rico's landscape, its people, and culture through his works of art. Oller's paintings can be found in museums worldwide, including the Musée d'Orsay in France. Oller died on May 17, 1917, in San Juan, Puerto Rico.
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