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"You Don't Seem to Miss Me" is a song written by Jim Lauderdale, and recorded by American country music artist Patty Loveless featuring backing vocals from George Jones. It was released in September 1997 as the first single from her album Long Stretch of Lonesome.
"A Thousand Times a Day" is a song written by Gary Burr and Gary Nicholson. It was originally recorded by American country musician, singer, and songwriter George Jones on his 1993 album High-Tech Redneck. American singer Patty Loveless later recorded it for her third album with Epic Records, The Trouble with the Truth (1996).
Twenty-one years after the original version, Patty Loveless recorded a cover of the song on her 1987 album, also entitled If My Heart Had Windows. Loveless's version was also a top-10 country hit — the first of her career — peaking at number 10 on the country music charts. [3]
First Jim Lauderdale hears that the great Patty Loveless is going to cut his song. Then he finds out George Jones is also going to join her. Story Behind the Song: Patty Loveless and George Jones ...
Story Behind the Song: Patty Loveless and George Jones, 'You Don't Seem to Miss Me' Skip to main content. News. 24/7 help. For premium support please call: 800-290-4726 more ways to ...
(Patty Loveless with George Jones) 1997 — [i] 14: 37 Long Stretch of Lonesome "A Country Boy Can Survive" (Chad Brock featuring George Jones and Hank Williams, Jr.) 1999 75: 30: 66 Yes! "She Treats Her Body Like a Temple" (Confederate Railroad with George Jones) 2002 — 59 — Unleashed "4th of July" (Shooter Jennings featuring George Jones ...
"She Thinks I Still Care" is a country song written by Dickey Lee and Steve Duffy. First popularized by George Jones, the song has been recorded by many artists, including Connie Francis, Anne Murray, Elvis Presley and Patty Loveless.
The album featured covers of songs first cut by The Everly Brothers, George Jones, Porter Wagoner, and Webb Pierce. [76] The lead single was a cover of Jones's " Why Baby Why ". Jonathan Keefe of Slant Magazine called Loveless's vocals "interpretive" while also noting the "deliberate thematic heft" of the songs chosen. [ 78 ]