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Fernando Amorsolo y Cueto (May 30, 1892 – April 24, 1972) was a portraitist and painter of rural Philippine landscapes. Nicknamed the "Grand Old Man of Philippine Art," [2] he was the first-ever to be recognized as a National Artist of the Philippines. [3]
Tampuhan, meaning "sulking", [1] is an 1895 classic oil on canvas impressionist painting by Filipino painter and revolutionary activist Juan Luna. It depicts a Filipino man and a Filipino woman having a lovers' quarrel.
Victorio Candido Edades (December 23, 1895 – March 7, 1985) was a Filipino painter.He led the revolutionary Thirteen Moderns, who engaged their classical compatriots in heated debate over the nature and function of art.
Hidalgo with members of the Pardo de Tavera family including José Rizal and Juan Luna's wife Paz Pardo de Tavera at Luna's studio in Paris.. The La Pintura was created by Hidalgo in the impressionist style inspired by the trend of Japonisme, as the collecting and display of ukiyo-e prints was gaining significant traction among Western art circles.
The dark neck and the window joint line showed that as if the woman was being strangled, conveying the message that the Philippines was under stress. [3] As a cultural and historical artwork, The Parisian Life does not solely embody the “intangible ideas of the Filipino national consciousness” but also Luna's talent as an artist.
Don Fabián de la Rosa y Cueto (May 5, 1869 – December 14, 1937) was a Filipino painter. He was the uncle and mentor to the Philippines' national artist in painting, Fernando Amorsolo, and to his brother Pablo. [1]
Manansala and his works on a 2010 stamp sheet of the Philippines. Vicente Silva Manansala (January 22, 1910 – August 22, 1981) was a Filipino cubist painter and illustrator. One of the first Abstractionists on the Philippine art scene, Manansala is also credited with bridging the gap between the city and the suburbs, between the rural and ...
Today, his work displays simple imagery; the artist has said of his 1990s work, "I was bored with that shit". [3] Phillip Rodriguez directed a one-hour documentary of Ocampo's life and art career, Manuel Ocampo, God Is My Copilot. [3] Ocampo's 1992 painting "Why I Hate Europeans" was used as the cover art to the music album "Mythmaker" by ...