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The Creation of Adam (Italian: Creazione di Adamo), also known as The Creation of Man, [2]: plate 54 is a fresco painting by Italian artist Michelangelo, which forms part of the Sistine Chapel's ceiling, painted c. 1508 –1512. [3] It illustrates the Biblical creation narrative from the Book of Genesis in which God gives life to Adam, the ...
Catholic theologian Ludwig Ott in his authoritative Fundamentals of Catholic Dogma, under the section "The Divine Work of Creation", (pages 92–122) covers the "biblical hexahemeron" (the "six days" of creation), the creation of man, Adam/Eve, original sin, the Fall, and the statements of the early Fathers, saints, church councils, and popes ...
The Genesis creation narrative is the creation myth [a] of both Judaism and Christianity, [1] told in the Book of Genesis ch. 1–2. While the Jewish and Christian tradition is that the account is one comprehensive story [2] [3] modern scholars of biblical criticism identify the account as a composite work [4] made up of two stories drawn from different sources.
She then convinces Adam to eat it, whereupon God throws them out and punishes them—Adam was punished with getting what he needs only by sweat and work, and Eve to giving birth in pain. This is interpreted by Christians as the "fall of man" into sin. Eve bears two sons, Cain and Abel. Cain works in the garden, and Abel works with meat; they ...
Gnostics discussed Adam and Eve in two known surviving texts, namely the "Apocalypse of Adam" found in the Nag Hammadi documents and the Testament of Adam. The creation of Adam as Protoanthropos, the original man, is the focal concept of these writings. Another Gnostic tradition held that Adam and Eve were created to help defeat Satan.
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After painting the Creation of Eve adjacent to the marble screen which divided the chapel, [h] Michelangelo paused in his work to move the scaffolding to the other side. After having seen his completed work so far, he returned to work with the Temptation and Fall, followed by the Creation of Adam.
The Creation (German: Die Schöpfung) is an oratorio written in 1797 and 1798 by Joseph Haydn (Hob. XXI:2), and considered by many to be one of his masterpieces. The oratorio depicts and celebrates the creation of the world as narrated in the Book of Genesis. The libretto was written by Gottfried van Swieten.