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Savalas was part of an all-star cast in the movies Escape to Athena, Beyond the Poseidon Adventure (both 1979), and Cannonball Run II (1984), and continued to appear in a number of film and television guest roles during the 1980s, including Border Cop (1980) and Faceless (1988), the series Tales of the Unexpected (1981), and two episodes each ...
The Scalphunters is a 1968 American Western film starring Burt Lancaster, Ossie Davis and Telly Savalas. The film was directed by Sydney Pollack, with the score written by Elmer Bernstein. Davis was nominated for a Golden Globe for Best Supporting Actor for his performance in the film.
In 1985, seven years after the series ended, Telly Savalas returned to play Kojak in seven TV movies beginning with Kojak: The Belarus File. The first two were aired by CBS and the latter five were aired on ABC as part of their ABC Saturday Mystery Movie theme block. His character was promoted to the rank of captain, and later inspector.
Land Raiders is a 1969 American Western film directed by Nathan Juran and starring Telly Savalas, George Maharis, Arlene Dahl and Janet Landgard. [1] It was produced by Charles H. Schneer, who was best known for producing most of Ray Harryhausen's features, three of which were also directed by Juran.
A Reason to Live, a Reason to Die (originally titled Una Ragione Per Vivere E Una Per Morire, also known as Massacre at Fort Holman) is a 1972 Technicolor Italian spaghetti Western movie starring James Coburn, Bud Spencer, and Telly Savalas.
The Assassination Bureau Limited (also known The Assassination Bureau in the United States) is a 1969 British Technicolor black comedy adventure film, produced by Michael Relph, directed by Basil Dearden, and starring Oliver Reed, Diana Rigg, Telly Savalas, and Curd Jürgens.
While going head-to-head with Telly Savalas’s Blofeld and his “angels of death,” Bond falls in love with and marries Diana Rigg’s troubled Contessa Teresa di Vicenzo only to see her ...
Producer Bernard Gordon wrote in his autobiography that Telly Savalas and Clint Walker did not get along during the shooting of the movie. Savalas made attempts to upstage Walker and even insisted on changing some two-shots into solo shots. [5] Conversely, Clint Walker enjoyed Anne Francis's companionship, unlike his onscreen character. [6]
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