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In Europe regional variants quickly evolved and by the early 1990s techno subgenres such as acid, hardcore, bleep, ambient, and dub techno had developed. Music journalists and fans of techno are generally selective in their use of the term, so a clear distinction can be made between sometimes related but often qualitatively different styles ...
Date of origin Locale of origin Electroacoustic music: Early 1940s Egypt Musique concrète: 1940s Egypt (Cairo), France Acousmatic music: Late 1940s France (Paris) Drone: 1960s United States: Dub: Late 1960s Jamaica Ambient: Late 1960s – early 1970s Germany, Jamaica, Japan, United Kingdom: Electronic rock: Late 1960s – early 1970s
Hardcore (also known as hardcore techno) [2] [3] is a genre of electronic dance music that originated in the Netherlands, Belgium, and Germany [4] in the early 1990s. It is distinguished by faster tempos and a distorted sawtooth kick (160 to 200 BPM or more [5]), the intensity of the kicks and the synthesized bass (in some subgenres), [6] the rhythm and the atmosphere of the themes (sometimes ...
Synth-pop (short for synthesizer pop; [10] also called techno-pop [11] [12]) is a music genre that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. [13]
Detroit techno is a type of techno music that generally includes the first techno productions by Detroit-based artists during the 1980s and early 1990s. Prominent Detroit techno artists include Juan Atkins , Eddie Fowlkes , Derrick May , Jeff Mills , Kevin Saunderson , Blake Baxter , Drexciya , Mike Banks , James Pennington and Robert Hood .
The original widespread use of the term "electronica" derives from the influential English experimental techno label New Electronica, which was one of the leading forces of the early 1990s introducing and supporting dance-based electronic music oriented towards home listening rather than dance-floor play, [1] although the word "electronica" had already begun to be associated with synthesizer ...
Even the most highly regarded producers of techno music have long performed in the shadows of the underground, rarely garnering the attention of mainstream audiences. The pulsing, high-tempo beats ...
Originally a slow form of electronic dance music, Belgian new beat evolved into a native form of hardcore techno during the early 1990s with the introduction of techno records played at their intended speeds or slightly accelerated. [10] This brutal new hardcore style spread throughout Europe's rave circuit and reached the pop charts. [11]