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As technology improved, out-of-studio video recording was possible with compact video cameras and portable video recorders; a detachable recording unit could be carried to a shooting location. Although the camera itself was compact, the need for a separate recorder made on-location shooting a two-person job. [3]
A still video camera (SVC) is a type of electronic camera that takes still images and stores them as single frames of video. They peaked in popularity in the late 1980s [citation needed] and can be seen as the predecessor to the digital camera. However, unlike the latter, the image storage in such cameras is based on analog technology, rather ...
modular cameras with a digital back, true rangefinder cameras (without autofocus), rangefinder-style mirrorless cameras, digital single-lens reflex cameras (DSLRs), and SLR-style mirrorless cameras. These cameras are designed to resemble and are often mistaken for vintage film cameras. Models that are currently in production are shown in bold.
Modern digital television camera with a DIGI SUPER 86II xs lens from Canon. A professional video camera (often called a television camera even though its use has spread beyond television) is a high-end device for creating electronic moving images (as opposed to a movie camera, that earlier recorded the images on film).
Starting in the early 1980s the F series of cameras include the F-10, F-50S and F-62AF. In the mid-1980s it introduced the 800 series with models such as the MX800, 850E, and Mr Handy collapsible. The ACE cameras were introduced in the mid-1990s with film identical to the 800 film but with a different cartridge.
Introduced in 1985, this was the first one-piece camcorder using full-size VHS cassettes. The camera uses a 1/2-inch colour Newvicon tube with a consumer-grade lens barrel giving a 6 times zoom with macro, normal focussing down to 4 feet (1.2 metres), and a minimum illumination of 10 lux.
A feature of the SX-70 film packs was a built-in battery to power the camera motors and exposure control, ensuring that a charged battery would always be available as long as film was in the camera. The "Polapulse" battery was configured as a 6 volt thin flat battery, and used zinc chloride chemistry to provide for the high pulse demand of the ...
Beginning with the 1980s, self blimped 16mm cameras like the Auricon were replaced by portable video camera recorders for news gathering. Nonetheless, they retained their popularity with independent film makers well into the 1990s: Auricons were for many years the most affordable self blimped 16mm sound cameras available on the second hand market.
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