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In Filipino Martial Arts, lakan denotes an equivalent to the black belt rank. [8] Also, beauty contests in the Philippines have taken to referring to the winner as "lakambini", the female equivalent of lakan. In such cases, the contestant's assigned escort can be referred to as a lakan. More often, a male pageant winner is named a lakan. [9]
Prior to the Archaic epoch (c. 900–1565), the consorts of the Filipino monarchs were organized in three general tiers: Dayang (ᜇᜌᜅ᜔), Lakambini (ᜎᜃᜋ᜔ᜊᜒᜈᜒ), and Binibini (ᜊᜒᜈᜒ ᜊᜒᜈᜒ), or even the word Hara (ᜑᜇ) is a Malayo-Sanskrit terms in which referred to a Queen in western sense, also meant the ...
A Musicians in Sri Dalada Maligawa. The music of Sri Lanka has its roots in five primary influences: ancient folk rituals, Hindu religious traditions, Buddhist religious traditions, the legacy of European colonisation, and the commercial and historical influence of nearby Indian culture—specifically, Kollywood cinema and Bollywood cinema.
Lakambini, the god of purity, food, and festivities, the advocate (Spanish dictionaries used the term "abogado") [3] of the throat, was invoked in case of throat ailments. Lakan Bakod was "the lord of fences (bakod)" and "was invoked to keep animals out of swiddens". [ 3 ]
Vic Sotto as Lakan Makisig, the ruler of the Kingdom of Kalayaan, [4] an alternative timeline monarchy in the Philippines. He is the second son of Lakan Diwa, father to Magat Bagwis, Dayang Matimyas, and Dayang Lualhati. He used to be a benevolent king, until his wife Lakambini Hiraya who changed after his spouse died in childbirth. [5]
The more complex social structure of the Tagalog people was less stable during the Spaniards' arrival because it was still differentiating. In this society, the term datu, lakan, or apo refers to the chief, but the noble class (to which the datu belonged or could come from) was the maginoo class.
In the Philippine languages, a system of titles and honorifics was used extensively during the pre-colonial era, mostly by the Tagalogs and Visayans.These were borrowed from the Malay system of honorifics obtained from the Moro peoples of Mindanao, which in turn was based on the Indianized Sanskrit honorifics system [1] and the Chinese's used in areas like Ma-i and Pangasinan.
The following is a list of gods, goddesses, deities, and many other divine, semi-divine, and important figures from classical Philippine mythology and indigenous Philippine folk religions collectively referred to as Anito, whose expansive stories span from a hundred years ago to presumably thousands of years from modern times.