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Fashion in fourteenth-century Europe was marked by the beginning of a period of experimentation with different forms of clothing. Costume historian James Laver suggests that the mid-14th century marks the emergence of recognizable " fashion " in clothing, [ 1 ] in which Fernand Braudel concurs. [ 2 ]
Women of the merchant classes in Northern Europe wore modified versions of courtly hairstyles, with coifs or caps, veils, and wimples of crisp linen (often with visible creases from ironing and folding). A brief fashion added rows of gathered frills to the coif or veil; this style is sometimes known by the German name kruseler. [32]
Women wore linen headdresses or wimples and veils, c. 1250. Costume during the thirteenth century in Europe was relatively simple in its shapes, rich in colour for both men and women, and quite uniform across the Roman Catholic world as the Gothic style started its spread all over Europe in dress, architecture, and other arts.
Overview of fashion from The New Student's Reference Work, 1914. Summary of women's fashion silhouet changes, 1794–1887. The following is a chronological list of articles covering the history of Western fashion—the story of the changing fashions in clothing in countries under influence of the Western world—from the 5th century to the present.
A houppelande or houpelande is an outer garment, with a long, full body and flaring sleeves, that was worn by both men and women in Europe in the late Middle Ages. Sometimes the houppelande was lined with fur. The garment was later worn by professional classes, and has remained in Western civilization as the familiar academic and legal robes of ...
A woodcut of Kraków (Latin: Cracovia) in Poland from the 1493 Nuremberg Chronicle. The usual English name poulaine [1] [2] (/ p u ˈ l eɪ n /) is a borrowing and clipping of earlier Middle French soulers a la poulaine ("shoes in the Polish fashion") from the style's supposed origin in medieval Poland. [3]
How to talk about fashion history without Paul Poiret’s “Orientalist” approach; Yves Saint Laurent’s landmark collections inspired by China and Africa, or John Galliano, who threw ...
The conventions surrounding who was able to wear the escoffion is covered in the Medieval clothing laws and headwear section below. Court fashion had become increasingly more extravagant across Europe in the Late Middle Ages, particularly in England, France, Germany and other countries in Western Europe. [11]