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In contemporary literary studies, a theme is a central topic, subject, or message within a narrative. [1] Themes can be divided into two categories: a work's thematic concept is what readers "think the work is about" and its thematic statement being "what the work says about the subject". [2] Themes are often distinguished from premises.
Two schools of formalist literary criticism developed, Russian formalism, and soon after Anglo-American New Criticism. Formalism was the dominant mode of academic literary study in the US at least from the end of the Second World War through the 1970s, especially as embodied in René Wellek and Austin Warren's Theory of Literature (1948, 1955 ...
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While Austen steers clear of the formal moralizing common in early-19th-century literature, morality—characterized by manners, duty to society and religious seriousness—is a central theme of her works. Throughout her novels, serious reading is associated with intellectual and moral development.
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Formal structure refers to the forms of a text. In the first place, a text is either a novel , a drama , a poem , or some other "form" of literature. However, this term can also refer to the length of lines, stanzas , or cantos in poems, as well as sentences, paragraphs, or chapters in prose.
A subordinate level 'mirrors' content or formal elements of a primary level. [1] 'Mirroring' can mean repetition, similarity or even, to a certain extent, contrast. The elements thus ‘mirrored’ can refer to form (e.g. a painting within a painting) or content (e.g. a theme occurring on different levels). [1]
The Structure of Literature is a 1954 book of literary criticism by Paul Goodman, the published version of his doctoral dissertation in the humanities.The book proposes a mode of formal literary analysis that Goodman calls "inductive formal analysis": Goodman defines a formal structure within an isolated literary work, finds how parts of the work interact with each other to form a whole, and ...