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Beats Per Minute (formerly One Thirty BPM) is a New York City– and Los Angeles–based online publication providing reviews, news, media, interviews and feature articles about the music world. Beats Per Minute covers a variety of genres and specializes in rock, hip hop, and electronic music.
BPM (Beats Per Minute) is an American magazine, launched in 1996 Hollywood, California, publishing original content on Music, Technology, Nightlife and Style.BPM relaunched in December 2011 after a brief hiatus as the BPM network, with a combination of original content and curated aggregation from key websites in and around Electronic Dance Music.
BPM (Beats per Minute), a 2017 French film; BPM, an American magazine; BPM (Sirius XM), a satellite radio channel; Beats Per Minute, a New York-based publication; BPM, by Salvador Sobral, 2021; B.P.M., a B-side to "I Believe In You" by Kylie Minogue, 2004; Ball Park Music, an Australian indie rock band
It was released as a double A-side single with Moby's song "I Feel It" in the United States, serving as the fourth and final single released from his self-titled debut album. "Thousand" was listed in Guinness World Records for having the second fastest tempo in beats-per-minute (BPM) of any released single, peaking at approximately 1,015 BPM. [1]
BPM ("Beats Per Minute") is a current-based electronic dance music channel offered by Sirius XM Radio, operating on XM channel 52 [1] (previously 81), Sirius channel 51 [2] (previously 36, where it replaced The Beat on November 12, 2008) and Dish Network channel 6051. DirecTV carried this channel on channel 859 until February 9, 2010.
Containing dramatic vocals and an anthemic production, [5] the lyrics of the song explore emotional numbness and fear during a relationship. [3] The song is written in a key of B major, modulating to C ♯ major on the final chorus, with a tempo at 172 beats per minute.
John Amen of Beats Per Minute was slightly more ambivalent, writing, "While the mixes on Manning Fireworks are studiously crafted, Lenderman’s presence largely enrolling, and his guitar acumen undeniable, the set’s overall gestalt is naggingly emulative. Lenderman, as compelling as he can be, rarely transcends the influence of his forebears."
"Crazy" is composed in the key of G major, with a fast tempo of 176 beats per minute, and runs for 3:12. [14] Musically, "Crazy" has a more hip hop indebted sound that recalls the "urban-edginess" of the group's early tracks. [10] It has been described as a hip hop and dance track with elements of trap.
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