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Hoist the Colours In its opening rendition, it is sung by a young boy and eventually by a larger chorus. A lengthy suite arrangement of the theme also makes up the end credits in the film, which is not featured on the soundtrack, but an altered version was released on the Soundtrack Treasures Collection CD on a track called Hoist the Colours ...
I've seen these lyrics posted many times all around the internet, as well as on a few Wikipedia pages (see Fiddlers Green), so I'm going to post the lyrics on this pasge- I doubt this is a copyriight violation given the incredibly easy availability anyone with a keyboard can locate the lyrics online (just google "hoist the colours high lyrics ...
Stereotomy is the ninth studio album by the Alan Parsons Project, released in 1985.. Not as commercially successful as its predecessor Vulture Culture, the album is structured differently from earlier Project albums: containing three lengthy tracks ("Stereotomy" at over seven minutes, "Light of the World" at over six minutes, and the instrumental "Where's the Walrus?"
"South California Purples" (originally titled "Southern California Purples") is a song written and sung by Robert Lamm for the rock band Chicago and recorded for their debut album Chicago Transit Authority (1969). [1] [2] [3] The song quotes the opening line from The Beatles' "I Am the Walrus:"
The Walrus and the Carpenter speaking to the Oysters, as portrayed by illustrator John Tenniel "The Walrus and the Carpenter" is a narrative poem by Lewis Carroll that appears in his book Through the Looking-Glass, published in December 1871. The poem is recited in chapter four, by Tweedledum and Tweedledee to Alice.
Most of the songs on Hoist were not played in concert by Phish until after the release of the album. Only "Sample in a Jar" and "Lifeboy" had been played beforehand, both debuting in 1993. [10] [11] "Axilla (Part II)" is a version of the song "Axilla", which had been debuted in 1992, with new lyrics. [12]
Colors is a "word jazz" album by voice-over and recording artist Ken Nordine. The Fuller Paint Company commissioned ten songs for radio advertisements. Because listeners enjoyed the recordings and requested the radio play them again, the project expanded into an album of 34 songs. [1] [2] Each track personifies a different color or hue. [3]
The opening stanza of "The Spectrum Song" tied each color to a specific note in a major scale, similar to the color-coding of a toy xylophone. Thus, the word "red" corresponded to the tonic , or octave note (Do), yellow was the major third or mediant note (Mi) (and the fourth note, Fa), green was the perfect fifth or dominant note (So), and so on.