Search results
Results from the WOW.Com Content Network
In Jamaican dancehall music, a riddim is the instrumental accompaniment to a song and is synonymous with the rhythm section. Jamaican music genres that use the term consist of the riddim plus the voicing (vocal part) sung by the deejay. A given riddim, if popular, may be used in dozens—or even hundreds—of songs, not only in recordings but ...
"Sleng Teng" is the name given to one of the first fully computerized riddims, influential in Jamaican music and beyond. The riddim, which was the result of work by Noel Davey, Ian "Wayne" Smith, and Lloyd "King Jammy" James, was first released with Wayne's vocals under the title "Under Mi Sleng Teng" in early 1985.
The song is significant for giving rise to perhaps the most popular reggae riddim of all time, having been versioned hundreds of times by artists including The Clash, KRS-One and 311. [3] According to a 2004 The New York Times article, C. Dodd considered the song his crowning achievement. [2]
This song was released on a various artiste compilation called "Ilove Riddim" and it quickly became one of his popular reggae anthems in Germany. In August 2008, Teacha Dee started his own label called "Tenfloor Records" based in Montego Bay, Jamaica.
The term "riddim" is the Jamaican Patois pronunciation of the English word "rhythm".The derived genre originally stemmed from dub, reggae, and dancehall.Although the term was widely used by MCs since the early days of dancehall and garage music, it was later adopted by American dubstep producers and fans to describe what was originally referred to as "wonky dubstep".
The Stalag riddim (or Stalag version) is a popular reggae riddim, which came to prominence in the 1980s. It was originally written and recorded as "Stalag 17" (named after the 1953 war film) by Ansel Collins and released by Winston Riley's Techniques record label in 1973. [1] The riddim has been used on hundreds of derivative records.
Leroy Sibbles (born Leroy Sibblies, 29 January 1949) is a Jamaican reggae musician and producer. He was the lead singer for The Heptones in the 1960s and 1970s.. In addition to his work with The Heptones, Sibbles was a session bassist and arranger at Clement "Coxsone" Dodd's Jamaica Recording and Publishing Studio and the associated Studio One label during the prolific late 1960s.
"Bam Bam" is a 1982 song by Jamaican dancehall recording artist Sister Nancy. The song's chorus was inspired by the 1966 song of the same name, by The Maytals and Byron Lee and the Dragonaires. [1] The song's instrumental samples the 1974 song "Stalag 17", by Ansell Collins, a well known riddim, alternatively known as a backing track used ...