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In Jamaican dancehall music, a riddim is the instrumental accompaniment to a song and is synonymous with the rhythm section. Jamaican music genres that use the term consist of the riddim plus the voicing (vocal part) sung by the deejay. A given riddim, if popular, may be used in dozens—or even hundreds—of songs, not only in recordings but ...
"Sleng Teng" is the name given to one of the first fully computerized riddims, influential in Jamaican music and beyond. The riddim, which was the result of work by Noel Davey, Ian "Wayne" Smith, and Lloyd "King Jammy" James, was first released with Wayne's vocals under the title "Under Mi Sleng Teng" in early 1985.
The term "riddim" is the Jamaican Patois pronunciation of the English word "rhythm".The derived genre originally stemmed from dub, reggae, and dancehall.Although the term was widely used by MCs since the early days of dancehall and garage music, it was later adopted by American dubstep producers and fans to describe what was originally referred to as "wonky dubstep".
The song is significant for giving rise to perhaps the most popular reggae riddim of all time, having been versioned hundreds of times by artists including The Clash, KRS-One and 311. [3] According to a 2004 The New York Times article, C. Dodd considered the song his crowning achievement. [2]
This song was released on a various artiste compilation called "Ilove Riddim" and it quickly became one of his popular reggae anthems in Germany. In August 2008, Teacha Dee started his own label called "Tenfloor Records" based in Montego Bay, Jamaica.
The Mighty Diamonds were a Jamaican harmony trio, recording roots reggae with a strong Rastafarian influence. The group was formed in 1969 and were best known for their 1976 debut album, Right Time, produced by Joseph Hoo Kim, and the 1979 release, Deeper Roots.
The New York Times described the song as "one of the most popular reggae rhythms of all time, spawning hits, sequels and – inevitably – rip-offs. If ever there was a beat that deserved its own Behind the Music, this is it." Similarly, the album was heralded as the best reggae album released in 2002. [2]
Each volume of the series features tracks from multiple artists recorded over one or two reggae or dancehall riddims produced by various producers. The series began in February 2000 with the release of the Bellyas riddim album as a way of collecting various artists' 7 inch recordings on a single CD or vinyl record. Greensleeves has since ...