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"Autumn Leaves" is the English-language version of the French song "Les Feuilles mortes" ("The Dead Leaves") composed by Joseph Kosma in 1945. The original lyrics were written by Jacques Prévert in French, and the English lyrics were by Johnny Mercer .
The house in Notre-Dame-des-Champs street where Victor Hugo wrote Les Feuilles d'automne.. Les Feuilles d'Automne (French pronunciation: [le fœj dotɔn], lit. ' Autumn Leaves ') is a collection of poems written by Victor Hugo, and published in 1831.
"To Autumn" is a poem by English Romantic poet John Keats (31 October 1795 – 23 February 1821). The work was composed on 19 September 1819 and published in 1820 in a volume of Keats's poetry that included Lamia and The Eve of St. Agnes. "To Autumn" is the final work in a group of poems known as Keats's "1819 odes".
"Chanson d'automne" ("Autumn Song") is a poem by Paul Verlaine (1844–1896), one of the best known in the French language. It is included in Verlaine's first collection, Poèmes saturniens, published in 1866 (see 1866 in poetry). The poem forms part of the "Paysages tristes" ("Sad landscapes") section of the collection. [1]
Some of Prévert's poems, such as "Les feuilles mortes" ("Autumn Leaves"), "L'Addition", "La grasse matinée" ("Sleeping in"), "Les bruits de la nuit" ("The sounds of the night") and "Chasse à l'enfant" ("The hunt for the child") were set to music by Joseph Kosma—and in some cases by Germaine Tailleferre of Les Six, Christiane Verger, Marjo ...
Autumn Leaves, an 1856 painting by John Everett Millais Aŭtunaj folioj (English: Autumn leaves ), a posthumous poetry collection by Julio Baghy Autumn Leaves (magazine) , a former children's magazine of the Reorganized Church of Jesus Christ of Latter Day Saints
Leaves also contain carotenoids, which produce yellow, orange and brown colors. In the autumn, they begin to produce more anthocyanin , which gives them red and purple hues.
Autumn Leaves (1856) is a painting by John Everett Millais exhibited at the Royal Academy in 1856. It was described by the critic John Ruskin as "the first instance of a perfectly painted twilight." [ 1 ] Millais's wife Effie wrote that he had intended to create a picture that was "full of beauty and without a subject".