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Download as PDF; Printable version; In other projects Wikidata item; Appearance. move to sidebar hide. The following is a list of ... Whole tone scale on C.
Download as PDF; Printable version ... Tone scale may refer to: Musical scales, including the Whole tone scale; Color scales; Emotional tone scale, a Scientology ...
For the ordinary diatonic scales described here, the T-s are tones and the s-s are semitones which are half, or approximately half the size of the tone.But in the more general regular diatonic tunings, the two steps can be of any relation within the range between T = 171.43 ¢ (for s = T at the high extreme) and T = 240 ¢ (for s = 0 at the low extreme) in musical cents (fifth, p5, between 685 ...
The common tone theorem describes that scales possessing the deep scale property share a different number of common tones for every different transposition of the scale, suggesting an explanation for the use and usefulness of the diatonic collection. [1] In contrast, the whole tone scale's interval vector contains:
The composer Olivier Messiaen called the whole-tone scale his first mode of limited transposition. The composer and music theorist George Perle calls the whole-tone scale interval cycle 2, or C2. Since there are only two possible whole-tone-scale positions (that is, the whole-tone scale can be transposed only once), it is either C2 0 or C2 1.
Traditionally in Western music, a musical tone is a steady periodic sound. A musical tone is characterized by its duration , pitch , intensity (or loudness ), and timbre (or quality). [ 1 ] The notes used in music can be more complex than musical tones, as they may include aperiodic aspects, such as attack transients , vibrato , and envelope ...
The tones of the chromatic scale (unlike those of the major or minor scale) are all the same distance apart, one half step. The word chromatic comes from the Greek chroma, color; and the traditional function of the chromatic scale is to color or embellish the tones of the major and minor scales. It does not define a key, but it gives a sense of ...
The extremes of the meantone systems encountered in historical practice are the Pythagorean tuning, where the whole tone corresponds to 9:8, i.e. (3:2) 2 / 2 , the mean of the major third (3:2) 4 / 4 , and the fifth (3:2) is not tempered; and the 1 ⁄ 3-comma meantone, where the fifth is tempered to the extent that three ...
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