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One Eighty is the fourth album by Ambrosia, released in 1980 on Warner Bros. Records. The title was believed by fans to signal the group's "180-degree" change in direction. [2] The album peaked at No. 25 on the Billboard 200, continuing the success of the band.
Ambrosia is the debut album by Ambrosia. It was released in 1975 on 20th Century Fox Records. It spawned the top 20 chart single "Holdin' on to Yesterday" as well as the minor hit "Nice, Nice, Very Nice". The latter sets to music the lyrics to a poem in Kurt Vonnegut's Cat's Cradle.
Year Album details Chart positions Certifications US [1]1975 Ambrosia. Released: February 1975; Labels: 20th Century Formats: CD, LP, CS, digital download 22 1976 Somewhere I've Never Travelled
The same year, Ambrosia released their fifth and final studio album, Road Island (May 1982 [12]), their first effort without the assistance of Freddie Piro's production company. Produced by James Guthrie, the album consisted of intense, driving hard rock (outside of the soft ballad "Feeling Alive Again" and the progressive rock closer "Endings ...
Some album covers prove controversial due to their titles alone. When the Sex Pistols released Never Mind The Bollocks… in 1977, a record shop owner in Nottingham named Chris Searle was arrested ...
Somewhere I've Never Travelled is the second album by Ambrosia, and their final album on 20th Century Fox Records, released in 1976. The 1st pressings of the vinyl LP were issued in a custom "pyramid" cover, having 3 fold-out panels that turned the cover into a Pyramid. [1] [2] The album peaked at #79 on the Billboard 200.
Anthology is a compilation album by Ambrosia, released in 1997 on Warner Bros. Records. The album includes three new recordings, including a re-recording of the David Pack solo "I Just Can't Let Go", which was released as a single. [1] The two new recorded tracks are "Mama Don't Understand" and "Sky Is Falling".
Road Island is the fifth and final album by Ambrosia, released in 1982 on Warner Bros. Records. The album marks the band's return to their progressive rock roots and was produced by James Guthrie. [1] Despite positive reviews from critics, the album was a commercial disappointment, peaking at #115 on the Billboard 200.
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