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Dutch and Flemish Renaissance painting, of which Antwerp became the centre, covers the period up to about 1580 or later, by the end of which the north and south Netherlands had become politically separated. Flemish Baroque painting was especially important in the first half of the 17th century, dominated by Rubens.
After 1550 the Flemish and Dutch painters begin to show more interest in nature and beauty "in itself", leading to a style that incorporates Renaissance elements, but remains far from the elegant lightness of Italian Renaissance art, [3] and directly leads to the themes of the great Flemish and Dutch Baroque painters: landscapes, still lifes ...
Jan van Eyck, The Arnolfini Portrait, 1434, National Gallery, London Rogier van der Weyden, The Descent from the Cross, c. 1435, Museo del Prado, Madrid. Early Netherlandish painting is the body of work by artists active in the Burgundian and Habsburg Netherlands during the 15th- and 16th-century Northern Renaissance period, once known as the Flemish Primitives. [1]
List of Flemish painters This is an incomplete list of Flemish painters , with place and date of birth and death, sorted by patronymic , and grouped according to century of birth. It includes painters such as Rubens from (or mostly active in) the Southern Netherlands , which is approximately the area of modern Flanders and modern Wallonia.
For artists born and active in the Southern Netherlands, see the List of Flemish painters. The artists are sorted by century and then alphabetically by last name. In general, artists are included that are mentioned at the ArtCyclopedia [1] website, in the Grove Dictionary of Art, [2] and/or whose paintings regularly sell for over $20,000 at ...
The Dutch were less given to the Flemish style of combining large still life elements with other types of painting – they would have been considered prideful in portraits – and the Flemish habit of specialist painters collaborating on the different elements in the same work.
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