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"The Sparrows Nest" is a lyric poem written by William Wordsworth at Town End, Grasmere, in 1801.It was first published in the collection Poems in Two Volumes in 1807.. The poem is a moving tribute to Wordsworth's sister Dorothy, recalling their early childhood together in Cockermouth before they were separated following their mother's death in 1778 when he was barely eight years old.
In 1924, for example, one study noted it was often taught in grades 3 to 6. Educator R. L. Lyman, who conducted the study, found it problematic, writing that the poem, "in vocabulary, allusion and atmosphere," was not an appropriate choice and concluded, "'The Children's Hour' is a true poem about children; it is not, as we have assumed, a poem ...
Their blind eyes see not your tears flow. Nor honour. It is easy to be dead. Say only this, “They are dead.” Then add thereto, “Yet many a better one has died before.” Then, scanning all the o'ercrowded mass, should you Perceive one face that you loved heretofore, It is a spook. None wears the face you knew. Great death has made all his ...
Nature is a common theme in Romantic poetry, but in Keats' poem it demonstrates how essential and natural writing is to his being. [5] The shore and water that love and fame sink within represent an expanse of fears that sit before Keats, giving the natural world a darker theme in those lines.
"A Death-Bed" is a poem by English poet and writer Rudyard Kipling (1865-1936). It was first published in April 1919, in the collection The Years Between . Later publications identified the year of writing as 1918.
"Porphyria's Lover" is a poem by Robert Browning which was first published as "Porphyria" in the January 1836 issue of Monthly Repository. [1] Browning later republished it in Dramatic Lyrics (1842) paired with "Johannes Agricola in Meditation" under the title "Madhouse Cells". The poem did not receive its definitive title until 1863.
"To His Coy Mistress" is a metaphysical poem written by the English author and politician Andrew Marvell (1621–1678) either during or just before the English Interregnum (1649–60). It was published posthumously in 1681. [2] This poem is considered one of Marvell's finest and is possibly the best recognised carpe diem poem in English ...
[5] Southam's argument for an ironically humanist poem is countered, in turn, by Charles A. Huttar, who attempts to bring the poem back into alignment with a certain Christian worldview: for example, Huttar claims that "these rebel powers" that "array" the soul in line 2 refer not to "the physical being" or body but rather to the lower powers ...