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Statue of "the Buddha meditating." The Buddha's hands are in the dhyāna mudrā position. (Wat Xieng Thong, Luang Phrabāng, Laos) The most important aspect of the iconography of the Buddha is gestures made with the hands, known as mudrā. These gestures have meanings which are known throughout the Buddhist world, and when combined with the ...
A statue or a painting of Buddha always illustrates a mudra or gesture. There are large numbers of these, but a few are the oldest and most common. In Mahayana Buddhism , some of the most common have also become identified with the five transcendental Buddhas, also called " Dhyani Buddhas " or "Pancha Buddhas", further complicating ...
In Indonesia there are early standing Buddha statues with Buddha holding his bowl with the snake in it, and the presentation of the remains is found in Gandharan reliefs. [99] Buddha performed other miracles to convince the Kasyapas, including parting the waters of a river and mind-reading. The former is depicted on the East gate of Stupa 1 at ...
The Seated Buddha from Gandhara is an early surviving statue of the Buddha discovered at the site of Jamal Garhi in ancient Gandhara in modern-day Pakistan, that dates to the 2nd or 3rd century AD during the Kushan Empire. Statues of the "enlightened one" were not made until the 1st century CE.
Depictions could be Gautama, or a bodhisattva, guardian, protector, disciple, or saint. Clues to a figure's identity are found in, for example, the physical characteristics of the Buddha, the objects the figure is holding, its mudra (hand gesture), and asana (sitting or standing position of the body). [1]
[18] [19] The style of these statues is somewhat reminiscent of the earlier monumental Yaksha statues, usually dated to one or two centuries earlier. [20] Several seated Buddha triads in an elaborate style are known from the Greco-Buddhist art of Gandhara, such as the Brussels Buddha, which may also be dated to the early years of Kanishka. [21] [5]
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