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Rivendell is a direct translation or calque into English of the Sindarin Imladris, both meaning "deep valley". The name Rivendell is formed by two English elements: "riven" (split, cloven) and "dell" (valley). Imladris was rendered "Karningul" in Westron, the "Common Tongue" of Middle-earth represented as English in the text of The Lord of the ...
J. R. R. Tolkien accompanied his Middle-earth fantasy writings with a wide variety of non-narrative materials, including paintings and drawings, calligraphy, and maps.In his lifetime, some of his artworks were included in his novels The Hobbit and The Lord of the Rings; others were used on the covers of different editions of these books, and later on the cover of The Silmarillion.
In 2011, Pieter Collier collected images of all of these paintings that he could trace, publishing them in the book A Tolkien Tapestry. [ 4 ] [ 5 ] The Tolkien scholar Daniel Howick, reviewing the book for Mallorn , wrote that its publication was Tolkienesque, as the 100-odd paintings had to be tracked down individually.
Tolkien's illustration of the Doors of Durin for The Fellowship of the Ring, with Sindarin inscription in Tengwar script, both being his inventions. Despite his best efforts, this was the only drawing, other than maps and calligraphy, in the first edition of The Lord of the Rings. [1]
Navigable diagram of Tolkien's legendarium. The Peoples of Middle-earth, the last volume of analysis of the legendarium, contains materials written late in his life.. Each volume of The History of Middle-earth bears on the title page spread an inscription by Christopher Tolkien in Fëanorian letters (in Tengwar, an alphabet J. R. R. Tolkien devised for the High-Elves), that describes the ...
The Keys of Middle-earth: Discovering Medieval Literature Through the Fiction of J.R.R. Tolkien is a 2005 book by Stuart Lee and Elizabeth Solopova.It is meant to provide an understanding of J. R. R. Tolkien's Middle-earth fantasy writings in the context of medieval literature, including Old and Middle English and Old Norse, but excluding other relevant languages such as Finnish.
Nasmith's Tolkien artwork, which echoes the luminist landscapes and Victorian neoclassical styles, eventually caught the attention of Tolkien's publishers, who included four of his paintings in the 1987 Tolkien Calendar. His artwork has appeared in many of these calendars, including several where he is the sole featured artist (1987, 1988, 1990 ...
Bilbo's voyage to the Undying Lands is reminiscent of several other journeys in English literature. Scull and Hammond observe that Bilbo's Last Song is somewhat like Tennyson's Crossing the Bar (1889), a sixteen-line religious lyric (sharing some of Tolkien's poem's vocabulary) in which a sea voyage is a metaphor for a faithful death. [7]