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The first printings had a marble-look dust jacket with either light gray, pastels or primary colors; the binding was a faux leather dyed in the color associated with the title (Marvel Masterworks, volume number, and title was embossed usually in gold (exceptions: The Silver Surfer, Iron Man) on the spine along with an embossed symbol ...
The Marvel Comics brand and logo did not always appear on the cover or in the indicia; the only obvious relation to Marvel being the publisher's name, Magazine Management, a name that the four-color comics stopped using in 1973 but was retained for the black-and-white magazines. [3]
The Rampaging Hulk is a comic book series published by Marvel Comics. The first volume was a black and white magazine published by Curtis Magazines (an imprint of Marvel) from 1977–1978. With issue #10, it changed its format to color and its title to The Hulk!, and ran another 17 issues before it
An advertisement for Marvel's Epic Collection. The Epic Collection is an ongoing line of color trade paperbacks that republish Marvel comics in a uniform trade dress. . Announced in April 2013, their stated intention was to collect entire runs of characters or titles as "big fat collections with the best price we can maintain", [1] in similar manner to the discontinued black-and-white Essentia
Lighter Side. Medicare. new
The Essential range launched in October 1996 with the joint release of Essential X-Men Vol. 1, Essential Wolverine Vol. 1 and Essential The Amazing Spider-Man Vol. 1.While Essential The Amazing Spider-Man started with Spider-Man's first appearance in the Silver Age (collecting Amazing Fantasy #15 and The Amazing Spider-Man #1-20), Marvel chose to skip ahead to Giant-Size X-Men #1 and Uncanny X ...
As with Marvel's logos of the late 1960s through the early '80s, the Marvel Comics logo appeared in many different colors depending on the color scheme of a given comic book cover.
In 1987, the Japanese manga Akira was in preparation to be translated and published by Marvel Comics's Epic Comics line. Oliff was chosen as the colorist, and he convinced Marvel that it was time to try computer color. [4] After the publication of Akira in 1988, computer coloring became increasingly prevalent in the comics industry. [3]
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