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Nightingale said "The diversity of the songs is gloriously far-reaching, and my first job in writing the original score was to try and build a framework that might bind things together; find, create and extend common ground." [7] The soundtrack list to Matilda the Musical was released by Sony Masterworks and Netflix Music on 4 November 2022. [8]
"When I Grow Up" was the first song that Tim Minchin wrote for Matilda, attempting to find a tone for the entire musical, drawing inspiration from his child. [1] He also drew inspiration from a childhood memory in which the adults on his grandfather's farm would fiddle with the padlock to a gate, whereas Minchin went out of his way to hurdle the gate, promising to himself to never open the ...
[29] Mara Wilson, who played Matilda in the original 1996 film adaptation of Dahl's novel, said, "Maybe if they made it into a movie, I could have a cameo, but that's for them to decide." [92] Kelly, who wrote the book of the musical, is set to write the film's screenplay, with Minchin writing additional songs and music, and Warchus directing ...
Here are all the key differences between the original novel, the 1996 film, stage adaptation, and 2022 movie musical. ... The song features Matilda (Weir) and Miss Honey (Lashana Lynch).
The other song is Thurston Harris' "Little Bitty Pretty One", played when Matilda is learning to control her telekinetic powers. The film's original score was composed by David Newman, a frequent collaborator of DeVito. [15]
Christopher Nightingale composed original incidental music to underscore the film, just as he did onstage. [17] The film's soundtrack album, containing both the songs and Nightingale's score, was released worldwide on 18 November 2022 digitally and 9 December 2022 on physical CD, by Milan Records. [17]
"Little Bitty Pretty One" is a 1957 song written and originally recorded by Bobby Day. The same year, the song was popularized by Thurston Harris . [ 2 ] Produced by Aladdin Records (located in Los Angeles, Calif.), and featuring the Sharps on backing vocals, [ 3 ] Harris's version reached No. 6 on the U.S. Billboard Best-Sellers chart and No ...
The School Library Journal wrote "You can’t help but love songs with double meanings like the oh-so appropriately named 'Revolting Children'". [3] The New York Times deemed it a "rousing final number" [2] and "an anthem of liberation", suggesting "which Mr. Darling has choreographed with a wink at Bill T. Jones’s work on “Spring Awakening”". [4]