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Journalists generally praised the song and music video for containing relatively heavy and thought-provoking material for a single. [6] [2] Matt Grossinger, staff music editor at The Nerdist, felt that Bates' real-life background of getting his PhD in electrical engineering gave more meaning to the song's message, stating "After taking a single glimpse at the dystopian music video for Starset ...
The song was an especially successful song on YouTube, with the track receiving 285.4 million views between September 2014 and November 2016. [7] For context, Billboard noted that the most viewed videos of two other extremely popular modern rock bands, " Uprising " by Muse and " The Pretender " by the Foo Fighters , only had 81 million and 143 ...
The band has found success in expanding the ideas of their concept albums through social media and YouTube, with the band generating over $230,000 in revenue from views from the latter as of November 2016. Their single "My Demons" had accumulated over 280 million YouTube views in the same time period. [9]
Musicians. Dustin Bates – vocals, guitars, bass; Rob Graves – programming, guitars, strings arrangements; Josh Baker – programming, guitars; Chris Flury ...
They don't know why they do it, but they do it, and these are the monsters that I'm talking about: those voices that say, 'I know this is going to be really fucked up after it's over with, but let's do it anyway.' That's the sentiment in the song, when I sing that 'my monsters are real and they're trained to kill.'" [9]
Most of the music from Halo: Combat Evolved is present on the CD, although some songs have been remixed by O'Donnell in medley form for "more enjoyable" listening. The first piece O'Donnell wrote, known as "Halo", became the basis for Halo ' s "signature sound" which has been heard in the other games of the main trilogy.
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Michael Salvatori was born in Elmhurst, Illinois, in 1954.He attended Visitation Catholic School until eighth grade. He then attended York High School in the early 70s. After Salvatori had finished college he took a bank loan to build a basement studio at his home in Wheaton, which would later be used to record Salvatori's first solo album, Waiting for Autumn, published in 1982 when Salvatori ...