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In the mid-1970s in the South Bronx, a young teen DJ named "Grand Wizzard Theodore" (right) invented the "DJ scratch" technique. Other DJs, like Grandmaster Flash, took the technique to higher levels. Modern scratching techniques were made possible by the invention of direct-drive turntables, which led to the emergence of turntablism.
Scratch is the soundtrack to the 2001 documentary Scratch directed by Doug Pray. Scratch examines cultural and historical perspectives on the birth and evolution of hip-hop disc jockeys (DJs), scratching and turntablism and includes interviews with some of hip-hop's most famous and respected DJs.
It was invented by DJ Jazzy Jeff. The scratch is somewhat difficult to perform because it takes a good amount of coordination. The scratch starts out with the cross-fader open. The DJ then moves the record forward while simultaneously closing the previously opened channel ending the first sound. Then, in a reverse fashion, the DJ opens the ...
The Invisibl Skratch Piklz are an American group of turntablists.. The members of the group were originally hip-hop DJs, who were among the pioneers of the turntablism movement in the 1990s; turntablists create musical pieces by mixing samples from records, and by using multiple turntables as instruments.
The coup de grace, however, was the addition of scratch mix effects and samples by DJs Chris "C.J." Mackintosh and Dave Dorrell. Colourbox told Watts-Russell that they didn't want "Anitina" on the B-side and wanted "Pump Up the Volume" released solely as a Colourbox track. [2]
George Spivey (born June 21, 1968), known professionally as DJ Scratch, is an American hip hop DJ and producer from Brooklyn, New York. [1]DJ Scratch is the 1988 New Music Seminar Battle For World Supremacy DJ champion, the 2010 Master of the Mix winner and the 2012, 2013 & 2014 Global Spin Awards' "Turntablist of the Year". 19 albums produced by DJ Scratch were certified Gold in United States ...
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A crab is a type of scratch used by turntablists, combining hand movements on a turntable with rapid manipulation of the crossfader.This technique enables the creation of multiple, rapid sound variations, producing a unique stutter sound that blends audio and silence, giving it an almost robotic quality.
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