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Another distinctive feature of Arte Nova was the use of locally produced tiles with Art Nouveau motifs. [125] The most influential artist of Arte Nova was Francisco Augusto da Silva Rocha. [125] Though he was not trained as an architect, he designed many buildings in Aveiro and in other cities in Portugal.
The earthenware encaustic and geometric floor tiles, that Maw & Co are best known for, have always been produced. In addition, mosaic tiles (from 1862), transfer printed tiles, hand painted picture tiles and relief tiles were also produced and included Art Nouveau and Art Deco geometric designs. [3]
Art Nouveau was a comprehensive form of decoration, in which all the elements; furniture, lamps, ironwork, carpets, murals, and glassware, had to be in the same style, or the harmony was broken. Victor Horta, Hector Guimard, Henry van de Velde and other Art Nouveau architects designed chairs, tables, lamps, carpets, tapestries ceramics, and ...
Sabo, Rioleta; Falcato, Jorge. N. and photographs by Nicolas Lemonnier – Portuguese Decorative Tiles, New York, London and Paris, 1998; ISBN 0-7892-0481-9; Barros Veloso, A. J.; Almasqué, Isabel – Portuguese Tiles and Art Nouveau / O Azulejo Portugués ea Arte Nova, Edições Inapa, Portugal, 2000; ISBN 972-8387-64-4
Ranging from tall vases to tiles, the work features original designs, simplified shapes, and experimental glazes and painting techniques. Stylistically, most of this work is affiliated with the modernizing Arts and Crafts (1880-1910), Art Nouveau (1890–1910), or Art Deco (1920s) movements, and also European art pottery.
Frost-resisting Zsolnay building decorations were used in numerous buildings specifically during the Art Nouveau movement. By 1914, Zsolnay was the largest company in Austro-Hungary . [ 1 ] During World War I , production of pottery and building materials were curtailed, and the factory produced for military use, for instance insulators .
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