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The pulpitum is a common feature in medieval cathedral and monastic church architecture in Europe. It is a massive screen that divides the choir (the area containing the choir stalls and high altar in a cathedral , collegiate or monastic church ) from the nave and ambulatory (the parts of the church to which lay worshippers may have access). [ 1 ]
J. K. Hyde, who surveyed the genre in 1966, considers the evolution of descriptiones written before 1400 to reflect "the growth of cities and the rising culture and self-confidence of the citizens", rather than any literary progression. [1] Later medieval examples tend to be more detailed and less generic than early ones, and to place an ...
The Oxford Dictionary of the Middle Ages (ODMA) is a four-volume dictionary of the Middle Ages published by Oxford University Press. It contains over 5,000 entries concerning European history and culture from AD 500 to 1500 as well as topics related to the Byzantine Empire , Islamic history , and medieval Asia . [ 1 ]
The pulpit of the Notre-Dame de Revel in Revel, Haute-Garonne, France Pulpit at Blenduk Church in Semarang, Indonesia, with large sounding board and cloth antependium "Two-decker" pulpit in an abandoned Welsh chapel, with reading desk below 1870 Gothic Revival oak pulpit, Church of St Thomas, Thurstonland Ambo, in the modern Catholic sense, in Austria 19th-century wooden pulpit in Canterbury ...
Cockaigne or Cockayne (/ k ɒ ˈ k eɪ n /) is a land of plenty in medieval myth, an imaginary place of luxury and ease, comfort and pleasure, opposite to the harshness of medieval peasant life. [1]
A less likely origin is the Celtic root *luco-t-, which means "mouse" and -ek(t)ia, double collectiv suffix, meaning "the mice" and which is contained in the Breton word logod, the Welsh llygod "mice", and the Irish luch, genitive luchad "mouse".
Rhonabwy is the most literary of the medieval Welsh prose tales. It may have also been the last written. A colophon at the end declares that no one is able to recite the work in full without a book, the level of detail being too much for the memory to handle. The comment suggests it was not popular with storytellers, though this was more likely ...
There was considerable variation from diocese to diocese, or even church to church, in the details of the rubrics: the place where the Epistle was sung, for instance, varied enormously; from a lectern at the altar, from a lectern in the quire, to the feature described as the 'pulpitum', a word used ambiguously for the place of reading (a pulpit ...