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Rolling Stones: Live at the Max was the first feature-length film ever to be filmed in IMAX format.. Imaging fed to the jumbotrons at concerts came from trucks where switching equipment was used to control live feeds from an army of video cameras.
The use of remote heads on camera cranes allowed the advancement of longer, smaller and telescoping camera cranes, which would not have been possible with a camera operator on board [2] Remote heads are critical in motion-control camera systems that are used for match moving, repeatable moves, and integration with movie computer-generated ...
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Joe Morgan is a drifter who has come to Los Angeles from New York. He attempts to get a job from Max, whose brother was an acquaintance of his, but he is unable to. Scruffy, broke, and looking for work, he is directed by Max to a nearby theater featuring an ice show starring Roberta Elva. The theater's assistant Harry Wheeler introduces Morgan ...
Since Carter's last sight before the motorcycle crash are the sign "Max. headroom" on a parking garage gate, these are the reconstruction's first words and ultimately his name. While Carter is a dedicated professional, Max is a wisecracking observer of human contradictions. Despite being the titular character, Max appears rarely in the show.
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Originally based in a theatre on the junction of Broadway and 39th Street in New York City, the Metropolitan Opera began performing in its second home at Lincoln Center in 1966, starting the second phase of its life with the première of an opera commissioned for the occasion, Samuel Barber's Antony and Cleopatra.
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