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Saz Sound The bağlama or sâz/ساز is a family of plucked string instruments and long-necked lutes used in Ottoman classical music , Kurdish music , and also Arabesque music , Azerbaijani music , Bosnian music ( Sevdalinka ), and Armenian music .
The saz and folk music naturally formed a central part of Veysel's life. Born into an Alevi village, Veysel grew up in a community who expressed spiritual connection through music, particularly through the saz, and Veysel also nursed a love for his art and his instrument throughout his life.
Instruments used in traditional Azerbaijani music include the stringed instruments tar (skin faced lute), the kamancha (skin faced spike fiddle), the oud, originally barbat, and the saz (long necked lute); the double-reed wind instrument balaban, the frame drum ghaval, the cylindrical double faced drum nagara (), and the goshe nagara (pair of small kettle drums).
Ashik Ağalar Mikayılov playing the saz Ashugh Jivani (center, playing the kamani) with instrumentalists Soviet stamp from 1962 devoted to Sayat-Nova's 250 anniversary.. An ashik (Azerbaijani: aşıq, azb:آشؽق; Turkish: âşık; —all from Azerbaijani: aç) or ashugh (Armenian: աշուղ; Georgian: აშუღი) [1]: 1365 [2] [3] is traditionally a singer-poet and bard who ...
Nevertheless, Turkish folk music is dominantly marked by a single musical instrument called saz or bağlama, a type of long-necked lute. Traditionally, saz is played solely by traveling musicians known as ozan or religious Alevi troubadours called aşık .
Beginning in the 1930s, the Art of Azerbaijani ashiqs, like all folk music culture of the peoples of the USSR fell under the strictest control of the state government. [ 5 ] [ 6 ] As Soviet Union highly appreciated the art, during the Cultural Revolution the ashiq art, along with the mugham art of Azerbaijan has been developed while meykhana ...
Music scholars, journalists, audiences, record industry individuals, politicians, nationalists and demagogues may often have occasion to address which fields of folk music are distinct traditions based along racial, geographic, linguistic, religious, tribal or ethnic lines, and all such peoples will likely use different criteria to decide what ...
The instrument became a folk instrument of the poor and of ethnic minorities in Turkey, including Rûm, Armenians, Jews, Kurds, and Romani, "playing indigenous folk music or repertoires shared with ethnic Turks." It was excluded specifically by classical musicians of the era, being seen as lower-class or ethnic.
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