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Bourbon Street Parade is a popular jazz song written by drummer Paul Barbarin in 1949. The song is an example of how early marching bands influenced New Orleans jazz. It has become a Dixieland classic and New Orleans Jazz standard.
2014 American Banjo Museum Hall of Fame Award for Earl Scruggs. The American Banjo Museum Hall of Fame, formerly known as the National Four-String Banjo Hall of Fame, recognizes musicians. bands, or companies that have made a distinct contribution to banjo performance, education, manufacturing, and towards promotion of the banjo.
The museum originated as a collaboration between Oklahoma attorney Brady Hunt and Indiana businessman Jack Canine, [5] [6] who founded the National Four-String Banjo Hall of Fame Museum in Guthrie, Oklahoma, in 1998. [7] [8] Canine donated more than 60 "ornately decorated four-string tenor and plectrum banjos" to the museum.
Allen Shelton was an American five-string banjo player mostly known for being a member of the bluegrass band Jim & Jesse and the Virginia Boys since the 1960s. Shelton was born in Rockingham County, North Carolina, on July 2, 1936.
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Jackson's musical career began in childhood. At the age of 14 he was invited to play banjo for Jim and Jesse and the Virginia Boys, one of the most respected bluegrass bands at that time. After five years with Jim and Jesse, Jackson tested the musical waters elsewhere before landing a job with Glen Campbell. Jackson remained in Campbell's band ...
James McKinney is recognized as a true master of the 5-string banjo.One of the most advanced players anywhere and a Scruggs and Reno style expert, James is also considered a leading expert in jazz and theory in the banjo world, having been mentored by renowned jazz educator, David Baker, and Mr. Henry Ferrel (teacher of Chet Atkins and Jethro Burns).
In the 1970s, Robins performed in a number of bands, including Charlie Moore, Jim & Jesse, Wilma Lee & Stoney Cooper, and the New Grass Revival. During these years, he explored various banjo techniques, and helped lay the groundwork for the progressive, melodic, five-string banjo playing of today.