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Among the influential 18th- and 19th-century figures who despised Bernini's art was also and most prominently Johann Joachim Winckelmann (1717–68), considered by many the father of the modern discipline of art history. For the neo-classicist Winkelmann, the one true, laudable "high style" of art was characterized by noble simplicity joined ...
The following is a list of works of sculpture, architecture, and painting by the Italian Baroque artist Gian Lorenzo Bernini. The numbering follows Rudolph Wittkower's Catalogue, published in 1966 in Gian Lorenzo Bernini: The Sculptor of the Roman Baroque. [1] [2] [3]
In 1620, Italian artist Gian Lorenzo Bernini sculpted the mattress upon which the statue now lies. The form is partly derived from ancient portrayals of Venus and other female nudes, and partly from contemporaneous feminised Hellenistic portrayals of Dionysus/Bacchus .
According to Filippo Baldinucci, even before Pietro Bernini moved his family from Naples to Rome, eight-year-old Gian Lorenzo created a "small marble head of a child that was the marvel of everyone". [4] Throughout his teenage years, he produced numerous images containing putti, chubby male
The baldachin is at the center of the crossing, and directly under the dome of the basilica. Designed by the Italian artist Gian Lorenzo Bernini, it was intended to mark, in a monumental way, the place of Saint Peter's tomb underneath. Under its canopy is the high altar of the basilica.
Apollo and Daphne is a life-sized marble sculpture by the Italian artist Gian Lorenzo Bernini, which was executed between 1622 and 1625.It is regarded as one of the artistic marvels of the Baroque age.
The Rape of Proserpina (Italian: Ratto di Proserpina), more accurately translated as The Abduction of Proserpina, [1] is a large Baroque marble group sculpture by Italian artist Gian Lorenzo Bernini, executed between 1621 and 1622, when Bernini's career was in its early stage
Elephant and Obelisk is a statue of an elephant carrying an obelisk, designed by the Italian artist Gian Lorenzo Bernini. It was unveiled in 1667 in the Piazza della Minerva in Rome , adjacent to the church of Santa Maria sopra Minerva , where it stands today.