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The Red Cape, also sometimes known as Madame Monet or The Red Kerchief, [2] is an oil-on-canvas snowscape by French impressionist Claude Monet, from c. 1868-1873. The painting depicts Claude Monet's first wife, Camille, dressed in a red cape, passing outside of a window. [3] Monet painted the painting while living in Argenteuil. [2]
The off-center window frame and the blurriness achieved through sketchy brushstrokes suggest the scanning movement of the artist's eye as he viewed this scene. Contrasted with cold blues and silver whites, Camille's red cape draws the viewer's attention through the glass and into a swift exchange of glances, registering a brief moment in time.
Original – The Red Cape, painted by Claude Monet, is now exhibited in the Cleveland Museum of Art, Cleveland, Ohio. Reason High resolution. Was seen on FP candidates on Commons. Articles in which this image appears The Red Cape, Cleveland Museum of Art, List of paintings by Claude Monet FP category for this image
Capote de paseo: a vestige of the 19th-century promenade cape, this is a short silk mantle with rich and luxurious embroidery which is used during the paseíllo. Before the main performance starts, this ornate cape is exchanged for a more utilitarian red or purple muleta , a long cape used to entice the bull to charge.
For the occasion, which marks the second state visit ever hosted by the king, Kate wowed in a Catherine Walker cape coat dress awash in a bright candy apple-red hue. The festive look featured a ...
Haalelea's Feather Cape. The ʻahu ʻula (feather cape or cloak in the Hawaiian language, literally "red/sacred garment for the upper torso" [1]), [2] and the mahiole (feather helmet) were symbols of the highest rank of the chiefly aliʻi [3] class of ancient Hawaii. There are over 160 examples of this traditional clothing in museums around the ...
The stable belt, a wide belt made of tough woven fabric, is often worn. The fabric of the belt itself is in regimental colours, either a single colour or striped along its length (the origin of these combinations is often traditional, derived from historic uniform colours and facings, and may coincide with the design of a particular unit's TRF).