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The marimbas were first used for light music and dance, such as vaudeville theater and comedy shows. Clair Omar Musser was a chief proponent of marimba in the United States at the time. In 1940, the American composer Paul Creston wrote the first composition for solo marimba (Concertino for Marimba and Orchestra). [17]
The Cubans call it marímbula, and most of the other Caribbean countries have adopted this name or some variant of it: marimba, malimba, manimba, marimbol. The instrument has a number of other names, such as marímbola (Puerto Rico), bass box, calimba (calymba), rhumba box, Church & Clap, Jazz Jim or Lazy Bass , and box lamellophone.
The glass marimba is a type of idiophone also known as a vitrephone or crystallophone. Marimba translates to "a xylophone -like instrument" from an African language, probably Bantu . The glass keys are made of either hard glass ( plate glass ) or soft glass ( stained glass ).
Stevens grip is a technique for playing keyboard percussion instruments with four mallets developed by Leigh Howard Stevens.While marimba performance with two, four, and even six mallets had been done for more than a century, Stevens developed this grip based on the Musser grip, looking to expanded musical possibilities.
The Bass Marimba and Marimba Eroica have more traditional linear layouts and are very low in pitch. The Bass Marimba was first built in 1950. It has eleven bars made of Sitka spruce. The lowest bar corresponds to a piano C2. It can be played with mallets or by slapping with the pads of the fingers. [16] The Marimba Eroica was built in 1954.
To marimba players this technique is called “transport”, and it is very common to see this technique applied to the marimba simple. Arch or Ring Marimba. The arch marimba was probably the first, followed by a simple instrument with a diatonic row of wood bars played with mallets, with gourd resonators, placed on a wooden a stand. In 1894 ...
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Leigh Howard Stevens (born March 9, 1953, in Orange, New Jersey [1]) is a marimba artist best known for developing, codifying, and promoting the Stevens technique or Musser-Stevens grip, a method of independent four-mallet marimba performance based on the Musser grip.
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