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"Call Me" is a song by the American new wave band Blondie and the theme to the 1980 film American Gigolo. Produced and composed by Italian musician Giorgio Moroder, with lyrics by Blondie singer Debbie Harry, the song appeared in the film and was released in the United States in early 1980 as a single.
Call Me" by Blondie is the lead song for the soundtrack and was played during the film's intro. The song, which in the early stages was an instrumental demo titled "Man Machine", had originally been offered to Fleetwood Mac's Stevie Nicks, but Nicks declined and Blondie instead recorded the song with lyrics by lead vocalist Debbie Harry.
It was released as the lead single from the band's fifth studio album, Autoamerican (1980), giving Blondie their third number one single on the US Billboard Hot 100 chart and their fifth in the UK (where it became Blondie's last British number one for 18 years, until "Maria" in February 1999). The track also reached number one in Canada and New ...
The box set includes 15 CD singles, and albums from Blondie to The Hunter are represented. Original Era: Released: 2016; Label: Universal; Format: 6 LPs — The box set includes 6 LP studio albums from Blondie to The Hunter with reproductions of the original album artworks, and is packed in a Parallel Lines-themed slipcase box. Against the Odds ...
Blondie performed the Johnny Cash song "Ring of Fire", and the live recording was featured on the film soundtrack and on a later CD reissue of the Eat to the Beat album. [4] In November 1980, Blondie's fifth studio album and third with Chapman, Autoamerican (UK number three, [26] US number seven, Australia number eight [24]), was released.
Every year, celebrities try to capitalize on the holiday season by releasing festive music. Singers like Mariah Carey, Ariana Grande, and Michael Bublé managed to perfect the cheesy art form ...
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The song is widely regarded as one of Blondie's best; in 2017, Billboard ranked the song number two on their list of the 10 greatest Blondie songs, [16] and in 2021, The Guardian ranked the song number seven on their list of the 20 greatest Blondie songs. [17] Blondie re-recorded the song for their 2014 compilation album Greatest Hits Deluxe Redux.