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The Mortuary Temple of Amenhotep III, also known as Kom el-Hettân, was built by the main architect Amenhotep, son of Hapu, for Pharaoh Amenhotep III during the 18th Dynasty of the New Kingdom. [1] The mortuary temple is located on the Western bank of the Nile river, across from the eastern bank city of Luxor.
'the place where (ancient) things are picked up') [1], is the site of an Ancient Egyptian palace complex built during the New Kingdom, by the 18th Dynasty pharaoh Amenhotep III. It is located on the West Bank of the Nile at Thebes, Upper Egypt, in the desert to the south of Medinet Habu.
Amenhotep III (Ancient Egyptian: jmn-ḥtp(.w) Amānəḥūtpū, IPA: [ʔaˌmaːnəʔˈħutpu]; [4] [5] "Amun is satisfied" [6]), also known as Amenhotep the Magnificent or Amenhotep the Great and Hellenized as Amenophis III, was the ninth pharaoh of the Eighteenth Dynasty.
Egyptologist Dr. Melinda Hartwig argues that the high cost of Amenhotep III's ambitious building projects resulted in a consolidation of temple and royal grain administration in order to pay the workers Amenhotep III utilized to construct his monuments. [4]
This was the largest mortuary temple to be built. [9] The construction began during the reign of Amenhotep II and continued to be changed by Amenhotep III. There is evidence that he changed some of it for his daughter Sitamun. [10] The temple had gates, a hall, a courtyard, sphinxes and a list of Amenhotep III's achievements when he was king.
As it was built too close to the floodplain, less than two hundred years later it already stood in ruins and most of its stones were reused by later pharaohs for their own building projects. [9] The place where the statue was found is likely to have been the south gate of the mortuary temple complex, as it is as far from the temple as the ...
According to Lythgoe, Amenhotep III, commissioned the many statues to be built as a "forest". [4] Amenhotep III described Sekhmet as the terrible, mighty goddess of war and strife and her origins came from the earlier Memphite triad as the mother-goddess, and she eventually became recognized with the local Theban deity, Mut.
Regarding their size; they stood as the guardians of Amenhotep III's mortuary temple. Amenhotep III's process of immortalizing himself in statuary was prevalent, His approach to statuary representation and inscriptions had supported his ideology as being much more than the king of kings. His titles repeatedly called him the "good god". [10]