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George Orwell, author of Nineteen Eighty-Four, whose wartime BBC career influenced his creation of Oceania. What is known of the society, politics and economics of Oceania, and its rivals, comes from the in-universe book, The Theory and Practice of Oligarchical Collectivism by Emmanuel Goldstein, a literary device Orwell uses to connect the past and present of 1984. [1]
Nineteen Eighty-Four uses themes from life in the Soviet Union and wartime life in Great Britain as sources for many of its motifs. Some time at an unspecified date after the first American publication of the book, producer Sidney Sheldon wrote to Orwell interested in adapting the novel to the Broadway stage.
Chapter 22 turns deictic discourse towards nature, because “deictic discourse is empowered by a focal concern” and “nature in its pristine state is the focal power which is most clearly eloquent in its own right since it has, through definition as it were, escaped the rule of technology” (182). In other words, because “wilderness can ...
By questioning the essential value of material nature, the Platonic dialectic opens the way to a spiritualizing of nature, and in the case of Plato himself this leads to the use of allegory precisely at the moment in his dialogues when the analysis of nature has reached the highest point of transcendence describable in natural, human terms. [11]
In her piece "Self-Interest and the Social Good: Some Implications of Hagen Gender Imagery" (1981), Strathern notes that "[g]ender imagery is… a symbolic mechanism whereby "collective" and "personal" interests are made to seem to be of different orders". [9]
Letter symbolism concerns the symbolic meaning and value of letters (graphic signs representing a phoneme or group of phonemes in written language), whether read or written, in alphabetical script or elsewhere. While the meaning may not be immediately apparent, studying the symbols can reveal the significance of each letter.
"The Fourteen Words" (also abbreviated 14 or 1488) is a reference to two slogans originated by David Eden Lane, [1] [2] one of nine founding members of the defunct white supremacist terrorist organization The Order, [3] and are accompanied by Lane's "88 Precepts."
Symbolism was largely a reaction against naturalism and realism, anti-idealistic styles which were attempts to represent reality in its gritty particularity, and to elevate the humble and the ordinary over the ideal. Symbolism was a reaction in favour of spirituality, imagination, and dreams. [1]