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Īxpoztequeh, god who lived in one of nine layers of the underworld. Iixpuzteque was Nexoxochi's husband. Tzontēmōc, god who lived in one of nine layers of the underworld. Tzontemoc was Chalmeccacihuatl's husband. Xolotl, god of death who is associated with Venus and the Evening Star. He is the twin god and a double of Quetzalcoatl.
Aztec mythology is the body or collection of myths of the Aztec civilization of Central Mexico. [1] The Aztecs were Nahuatl-speaking groups living in central Mexico and much of their mythology is similar to that of other Mesoamerican cultures.
Mictlantecuhtli (left), god of death, and Quetzalcoatl, god of life; together they symbolize life and death.. The Aztec religion is a polytheistic and monistic pantheism in which the Nahua concept of teotl was construed as the supreme god Ometeotl, as well as a diverse pantheon of lesser gods and manifestations of nature. [1]
Huitzilopochtli was also a tribal god and a legendary wizard of the Aztecs. Originally he was of little importance to the Nahuas, but after the rise of the Aztecs, the Nahuals reformed their religion and put Huitzilopochtli at the same level as Quetzalcoatl and Tezcatlipoca, making him a solar god.
The Aztecs [a] (/ ˈ æ z t ɛ k s / AZ-teks) were a Mesoamerican civilization that flourished in central Mexico in the post-classic period from 1300 to 1521. The Aztec people included different ethnic groups of central Mexico, particularly those groups who spoke the Nahuatl language and who dominated large parts of Mesoamerica from the 14th to the 16th centuries.
Abode of the gods. Ruled by the Four Creator Lords or Tezcatlipocas. Eminently divine place where the deities remain and project themselves to be in other places. Where the gods take on faces, and where they put on masks to become others while still being themselves. Where they are born, reborn and feed in their quality of eternal and mutating ...
The frontispiece of the Codex Fejéváry-Mayer, one of the more well-known images from Aztec codices, features a god circumscribed in the 20 trecena, or day symbols, of the Tōnalpōhualli. The exact identity of this god is unclear, but is most likely either Tezcatlipoca or Xiuhtecutli .
The Aztecs believed that the essence of a deity could be captured by a human impersonator, or ixiptla, of the god. Primeros Memoriales therefore illustrates and describes the likeness of Huixtocihuatl, who would have embodied the salt god. Sahagun's description closely follows its associated illustration, saying, "Her facial paint is yellow./