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Relief sculpture may also decorate steles, upright slabs, usually of stone, often also containing inscriptions. Another basic distinction is between subtractive carving techniques, which remove material from an existing block or lump, for example of stone or wood, and modelling techniques which shape or build up the work from the material.
In addition to freestanding statues, the term classical sculpture incorporates relief work, such as the frieze and metopes of the Parthenon. Although making large or monumental sculptures almost ceased in the Early Middle Ages and in Byzantine art , it greatly revived in the Italian Renaissance as Roman examples were excavated, and classical ...
The sculpture can be either freestanding or relief sculpture, in which case it is attached to the back wall of the pediment. Harris in The Illustrated Dictionary of Historic Architecture defines pediment as "In classical architecture, the triangular gable end of the roof above the horizontal cornice, often filled with sculpture." Pediments can ...
As with the ancient Greeks, and the Roman architects and sculptors who followed them, American artists had two different structural approaches creating pedimental sculpture. They are either freestanding statues that stand on the bed (the ledge or cornice that creates the bottom of the pediment), or they can be relief sculpture, attached to the ...
The tympanum is the triangular area within the pediment, which is often decorated with a pedimental sculpture which may be freestanding or a relief sculpture. [5] The tympanum may hold an inscription, or in modern times, a clock face.
The definition of statue for this list is a free-standing sculpture (as opposed to a relief), representing one or more people or animals (real or mythical), in their entirety or partially (such as a bust). Heights stated are those of the statue itself and (separately) the total height of the monument that includes structures the statue is ...
The characteristic temples of the Classical era, such as the Parthenon in Athens, and the Temple of Zeus at Olympia, used relief sculpture for decorative friezes, and sculpture in the round to fill the triangular fields of the pediments. The difficult aesthetic and technical challenge stimulated much in the way of sculptural innovation.
Auguste Rodin, The Burghers of Calais, 1889, Hirshhorn Museum and Sculpture Garden, Washington, D.C., cast 1943. [1] Modern sculpture is generally considered to have begun with the work of Auguste Rodin, who is seen as the progenitor of modern sculpture. While Rodin did not set out to rebel against the past, he created a new way of building his ...
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