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Aaron Ghitelman of Live for Live Music said that "Still… You Turn Me On" showcases Lake's "mastery" as a singer-songwriter. He also called the song very good. [5] Tom Muscarella of Rock ’n’ Roll Remnants described the song as a lovely ballad, and also said that "Still...You Turn Me On" was in the same style as "Lucky Man". [6]
Ian Timothy Whitcomb (10 July 1941 – 19 April 2020) was an English entertainer, singer-songwriter, record producer, writer, broadcaster and actor. As part of the British Invasion, his hit song "You Turn Me On" reached number 8 on the Billboard Hot 100 chart in 1965.
It also contains three until then unreleased tracks: "17", "Oh What a Night (4 Luv)", "You Turn Me On" and also contained a double sided poster. It was released on the Gordy Records imprint of Motown Records .
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The tour was sponsored by UK entertainer and long-term ELP fan, Jim Davidson. But the shows were not a sell-out, the US leg was cancelled, and the two men then fell out. In 2006, Lake played as a member of the supergroup the RD Crusaders in aid for charity. [50] Lake performed "Karn Evil 9" with the Trans-Siberian Orchestra at several shows. [51]
Similar to most live albums, In Concert showcased fan favourites of previously released material. However, "Peter Gunn", ELP's take on the classic TV theme song, was never released on any of their other albums (a slightly edited version of this live recording was included on the 1980 The Best of Emerson, Lake & Palmer compilation and released ...
A DVD version of the concert is also available. Originally released in 1996, it has a slightly different running order (Closer to the actual setlist for the tour) [6] and contains three tracks not included on the CD ("From the Beginning", "Honky Tonk Train Blues" and "Pictures at an Exhibition"), but omits "Still...You Turn Me On" and "Black Moon".
Black Moon received mixed reviews. Jim Allen of AllMusic wrote in a retrospective review that the performers "stripped down their sound and amped up their attack." [3] In his book The Music's All that Matters: A History of Progressive Rock, Paul Stump compared it favorably to its contemporary Union (by fellow progressive rock giants Yes).