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Laurel was known for its original mid-century modern lamp designs and other home furnishings in traditional, contemporary, and post-modern styles. [4] The company’s design work was overseen by co-founder and president Harold Weiss and was supplemented by collaborations with notable designers including Pierre Cardin , Bijan of California and ...
Chalkware flourished during the mid-century modern era (1945-1965) as an inexpensive and expressive medium for the home, serving many types of taste and types of decorative need with table lamps, figurines, wall decor and tourist memorabilia.
The tradition began to make a comeback in the mid 20th century with artists such as Juan Soriano, Francisco Toledo and Mathias Goeritz. Many of these artists used clay to make rough drafts of works to be done in other materials such as metals, but eventually turned to clay as the primary medium.
Many of the most important kiln workshops were owned by or reserved for the emperor, and large quantities of Chinese export porcelain were exported as diplomatic gifts or for trade from an early date, initially to East Asia and the Islamic world, and then from around the 16th century to Europe. Chinese ceramics have had an enormous influence on ...
Blue-and-white ceramic lampstand, and phoenix-shaped vase ewers dated to the Later Lê dynasty, 15th century. Provenance Chu Đậu kiln, Hải Dương province. The Hội An wreck lies 22 miles off the coast of central Vietnam in the South China Sea. The ship was carrying a large cargo of Vietnamese ceramics from the mid- to late-15th century.
Early 14th-century tile with inscription: letters in underglaze cobalt blue, the arabesque background in lustre. Probably Kashan. A large part of Persian lustreware production was in the form of tiles, usually star-shaped, with central animal or human figures, mostly single or in pairs, and ornament around the edges, and sometimes inscriptions.
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