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Guṇa is both a root and a word in Sanskrit. Its different context-driven meanings are derived from either the root or the word. In verse VI.36 of Nirukta by Yāska, a 1st millennium BC text on Sanskrit grammar and language that preceded Panini, Guṇa is declared to be derived from another root Gaṇa, [16] which means "to count, enumerate". [17]
The Hindu figure of Rama is often presented as an ideal man, representing the epitome of righteousness, compassion, duty, sacrifice, and leadership, making him an enduring symbol of ethical and moral conduct. [1] Rama's adherence to righteousness, or dharma, is a central aspect of his symbolism as an
Sita exiled by Rama and sita take vow she give kundamala or Garland to river for safe Birth of her son. Sita gave birth two twins. This twins sing ramayana in Rama's court and finally Rama meet his family. Mahaviracharita of Bhavabhuti based on Ramayana. This play start with Rama came in Hermitage of visvamitra and end with coronation of Rama.
Rama (left third from top) depicted in the Dashavatara, the ten avatars of Vishnu. Painting from Jaipur, now at the Victoria and Albert Museum. Scholarly estimates for the earliest stage of the available text range from the 7th to 5th centuries BCE, [16] with later stages extending up to the 3rd century CE. [6]
Rama as a first name appears in the Vedic literature, associated with two patronymic names – Margaveya and Aupatasvini – representing different individuals. A third individual named Rama Jamadagnya is the purported author of hymn 10.110 of the Rigveda in the Hindu tradition. [25]
Hindu cosmology is the description of the universe and its states of matter, cycles within time, physical structure, and effects on living entities according to Hindu texts.
Rama, Sita and Lakshman wander in the forest and come across the hermitage of a sage called Atri. Atri sees them approaching and is overcome with great joy. Sita is embraced by Atri's wife, Anasuya. Anusuya talks to Sita at length about the duties of a devoted wife. Rama, Sita and Lakshman venture further into the forest and encounter Viradha.
Maruti returns from Lanka. The Sundara Kanda forms the heart of Valmiki's Ramayana and consists of a detailed, vivid account of Hanuman's adventures. After learning about Sita, Hanuman assumes a gargantuan form and makes a colossal leap across the ocean to Lanka after defeating Surasa, the mother of the nagas, and Simhika, who is sent by the devatas.