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Hackers: Wizards of the Electronic Age (1984) Hackers in Wonderland (2000) Revolution OS (2001) The Code (2001) Freedom Downtime (2001) The Secret History of Hacking (2001) In the Realm of the Hackers (2002) BBS: The Documentary (2004) The Code-Breakers (2006) Steal This Film (2006) Hackers Are People Too (2008)
1980 Saturn 3: UK Hector 1982 Blade Runner: USA Replicants [1] Airplane II: USA ROK Tron: USA Master Control Program [1] 1983 Superman III: USA Supercomputer WarGames: USA WOPR (War Operation Plan Response), Joshua [2] 1984 Electric Dreams: USA / UK Edgar Hide and Seek: Canada P-1 The Terminator: USA Skynet, the Terminator [1] 1985 D.A.R.Y.L ...
Highest-grossing films of 1980 Rank Title Distributor Domestic gross 1 The Empire Strikes Back: 20th Century Fox: $209,398,025 2 9 to 5: $103,290,500 3 Stir Crazy: Columbia: $101,300,000 4 Airplane! Paramount: $83,453,539 5 Any Which Way You Can: Warner Bros. $70,687,344 6 Private Benjamin: $69,847,348 7 Coal Miner's Daughter: Universal ...
While many futuristic movies from the 1980s depicted scenarios that have not come to pass 40 years later, many offered surprisingly accurate glimpses into the future. Here’s our list of movies ...
Pages in category "Films about electronics" The following 4 pages are in this category, out of 4 total. This list may not reflect recent changes. E. Elektro Moskva; H.
The decade of the 1980s in Western cinema saw the return of studio-driven pictures, coming from the filmmaker-driven New Hollywood era of the 1970s. [1] The period was when the "high concept" picture was established by producer Don Simpson, [2] where films were expected to be easily marketable and understandable.
Cronenberg has called Scanners one of his most difficult films to make; most Canadian film productions of the 1970s and the early 1980s were funded through a 100-percent Capital Cost Allowance tax shield for investors passed by Prime Minister Pierre Trudeau in 1974, and the film was rushed into production without a finished script or ...
Industry professionals predicted comedy films and upbeat entertainment to dominate theaters in 1980. This was a response to poor morale in a nation suffering through economic recession, which generally increased theatrical visits as audiences sought escapism and ignored romantic films and depictions of blue-collar life.