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The lyrics to the song were drawn from part of Davies' poetic work Gwalia Deserta, which was first published in 1938. [1] The work was inspired by a local coal mining disaster and by the failure of the 1926 General Strike, with the "Bells of Rhymney" stanzas following the pattern of the nursery rhyme "Oranges and Lemons".
To ring the bells of London town. Bull's eyes and targets, Say the bells of St. Margaret's. Brickbats and tiles, Say the bells of St. Giles’. Halfpence and farthings, Say the bells of St. Martin's. Oranges and lemons, Say the bells of St. Clement's. Pancakes and fritters, Say the bells of St. Peter's. Two sticks and an apple, Say the bells at ...
Rhymney is known to many outside Wales due to folk singer Pete Seeger's song "The Bells of Rhymney". [12] The lyrics to the song are drawn from a poem by Idris Davies, and the poem was first published in Davies' 1938 anthology Gwalia Deserta. [12]
The lyrics convey an ambivalent tone, however, and have invited interpretation as a message to a casual love interest. Harrison based the song's jangly guitar riff on one used by Roger McGuinn in the Byrds' adaptation of " The Bells of Rhymney ".
The Bells of Rhymney; G. God's Counting on Me, God's Counting on You; Gotta Travel On; I. If I Had a Hammer; M. My Rainbow Race; T. Turn! Turn! Turn! W. Waist Deep in ...
Part XV was used by Pete Seeger for the lyrics of "The Bells of Rhymney" Part XXXIV was adapted by Max Boyce as "When We Walked to Merthyr Tydfil in the Moonlight Long Ago" Part XXXVI was used by Public Service Broadcasting for the words of "Turn No More", sung by James Dean Bradfield, on the album Every Valley
[61] [64] The album mixed reworkings of folk songs, including Pete Seeger's musical adaptation of the Idris Davies' poem "The Bells of Rhymney", with a number of other Dylan covers and the band's own compositions, the majority of which were written by Clark.
Pete Seeger's "The Bells of Rhymney" is a prime example of the new interpretations of folklore." [ 33 ] In its July 1965 issue, Time magazine praised the album, stating: "To make folk music the music of today's folk, this quintet has blended Beatle beats with Lead Belly laments, created a halfway school of folk-rock that scores at the cash box ...