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Unfinished Painting is a 1989 painting by American artist Keith Haring. It is a 100 cm by 100 cm acrylic painting on canvas piece, recognizable by the large swath of canvas left exposed. [1] It is known as one of Haring's final paintings before his 1990 death from AIDS-related complications at the age of 31. [2]
Tuttomondo (1989) The Boxers (1987) Todos Juntos Podemos Parar el SIDA (1989) Tower (1987). Works are in the order that the Keith Haring Foundation's website has them in. [4] Many of Haring's works are untitled, part of a series, or have similar titles; the number given to artworks on the Keith Haring Foundation's website have been added in order to differentiate between artworks.
In 1989, Haring established the Keith Haring Foundation to provide funding and imagery to AIDS organizations and children's programs. The foundation's stated goal is to keep his wishes and expand his legacy by providing grants and funding to non-profit organizations that educate disadvantaged youths and inform the public about HIV and AIDS.
Keith Haring’s 1989 piece “Unfinished Painting” became the center of an ethics debate about art and artificial intelligence after an X user used AI to “complete” the work.
Biographer Brad Gooch's "Radiant" reveals how much life and creativity artist Keith Haring packed into 31 years before he died of AIDS.
The wide-open generosity of spirit in Keith Haring's vivacious work is seen in the Broad's deft show, which culls together about 120 works that he created between 1982 and 1989.
Keith Haring notably deployed his practice to generate activism and advocate for awareness about AIDS in the final years of his life, as seen with the poster Ignorance = Fear (1989), or the acrylic on canvas painting Silence = Death (1989), both of which invoke the iconic poster and motto. [20] [21]
Drawing the Line: A Portrait of Keith Haring is a 1989 American short documentary film about artist Keith Haring.Produced and directed by Elisabeth Aubert, and narrated by Gina Belafonte, [1] the film highlights Haring's emergence from the New York City graffiti subculture of the 1980s, the mass marketing of his work and the opening of the Pop Shop, and the social commentary present in his ...
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