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Polish Renaissance architecture is divided into three periods: The first period (1500–50) is the so-called "Italian" as most of Renaissance buildings of this time were designed by Italian architects, mainly from Florence, including Francesco Fiorentino and Bartolomeo Berrecci.
This is a list of the main architectural works in Florence, Italy by period. It also includes buildings in surrounding cities, such as Fiesole . Some structures appear two or more times, since they were built in various styles.
The Florentine Renaissance in art is the new approach to art and culture in Florence during the period from approximately the beginning of the 15th century to the end of the 16th. This new figurative language was linked to a new way of thinking about humankind and the world around it, based on the local culture and humanism already highlighted ...
These began with the 1494 invasion by France that wreaked widespread devastation on Northern Italy and ended the independence of many of the city-states. Most damaging was the 6 May 1527, Spanish and German troops' sacking Rome that for two decades all but ended the role of the Papacy as the largest patron of Renaissance art and architecture. [38]
Florence was the birthplace of High Renaissance art, which lasted from about 1500 to 1527. Renaissance art put a larger emphasis on naturalism and human emotion. [75] Medieval art was often formulaic and symbolic; the surviving works are mostly religious, their subjects were chosen by clerics.
The transition from Gothic to Renaissance architecture coincides with the construction of the dome of the Florence Cathedral, carried out by Filippo Brunelleschi between 1420 and 1436. The Cathedral, built by Arnolfo di Cambio, was left unfinished by the end of the 14th century; it had a huge hole at the centre, where the dome was meant to be.
During the Renaissance revival of classical culture, ancient Roman elements were often replicated in architecture, both built and imagined in paintings. In the Palazzo Medici Riccardi, the rusticated masonry and the cornice had precedents in Roman practice, yet in totality it looks distinctly Florentine, unlike any known Roman building.
While Burton and Nash's designs draw on English Renaissance models such as Inigo Jones' Banqueting House, Whitehall and the Queen's House, Greenwich, Barry's designs are conscientiously archaeological in reproducing the proportions and forms of their Italian Renaissance models. They are Florentine in style, rather than Palladian.