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Mac Flecknoe (full title: Mac Flecknoe; or, A satyr upon the True-Blue-Protestant Poet, T.S. [1]) is a verse mock-heroic satire written by John Dryden. It is a direct attack on Thomas Shadwell, another prominent poet of the time. It opens with the lines: Bust of Mac Flecknoe, from an 18th-century edition of Dryden's poems
The use of a MacGuffin as a plot device predates the name MacGuffin. The Holy Grail of Arthurian legend has been cited as an early example of a MacGuffin. The Holy Grail is the desired object that is essential to initiate and advance the plot, but the final disposition of the Grail is never revealed, suggesting that the object is not of significance in itself. [8]
McTeague is a dentist of limited intellect from a poor miner's family who has opened a dentist shop on Polk Street in San Francisco (his first name is never revealed; other characters in the novel call him simply "Mac."). His best friend, Marcus Schouler, brings his cousin, Trina Sieppe, whom he's courting, to McTeague's parlor for dental work.
The work is an example of early Irish literature, written primarily in prose attributed to an unknown author of Leinster c. AD 800, and survives in at least six manuscripts, written between the 12th and 18th centuries. The story was apparently popular in the Middle Ages and later times, and became the subject of a number of independent poems.
The Romantic movement in English literature of the early 19th century has its roots in 18th-century poetry, the Gothic novel and the novel of sensibility. [6] [7] This includes the pre-Romantic graveyard poets from the 1740s, whose works are characterized by gloomy meditations on mortality, "skulls and coffins, epitaphs and worms". [8]
In The New Yorker, Macy Halford characterizes Harper's Magazine and The New Yorker itself as "often [being] viewed as prime examples of the middlebrow: both magazines are devoted to the high but also to making it accessible to many; to bringing ideas that might remain trapped in ivory towers and academic books, or in high-art (or film or ...
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A print of Lady Macbeth from Mrs. Anna Jameson's 1832 analysis of Shakespeare's heroines, Characteristics of Women. Jenijoy La Belle takes a slightly different view in her article, "A Strange Infirmity: Lady Macbeth’s Amenorrhea". La Belle states that Lady Macbeth does not wish for just a move away from femininity; she is asking the spirits ...
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